A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.
A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Curved windows, balconies, and railings of the Portside building on the Embarcadero, San Francisco.
This photograph of the Portside Building focuses on the curving upper structure of rounded windows, balconies, and railings. This intriguing building is located near the Embarcadero, almost directly beneath the west end of the San Francisco-Oakland Bay Bridge in San Francisco.
The San Francisco Caltrain station, photographed through glass lobby windows.
I frequently ride Caltrain to the City to do street photography. (Getting there by train is far better for me than taking the car, mainly because I think I can do more effective photography of this sort when I’m working completely on foot and not dealing with the whole driving/parking thing.) In this photograph I liked the nearly empty glass-enclosed lobby area, lit by very diffused light under the early morning fog, and with the trains visible on the other side. The “All Stops Special” sign seems enigmatic when seen out of context.
By the way, as much as San Francisco residents love the sunny and warmer days that occasionally come to the City this time of year, for photography I much prefer at least some fog and cloudiness, especially when I try to shoot during the daytime hours.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A boy walks up a steep sidewalk past iconic though dilapidated San Francisco buildings.
Shot in not the absolute greatest neighborhood of San Francisco – but not the worst either. Initially my main subject was this very narrow and very worn looking building – a typical San Francisco structure. I also liked the very muted color palette of the scene – most browns and tan with abit of white and some gray from the sidewalk and street in the foreground, with everything lit softly – no direct light – by the open sky and reflections from buildings on the sunny side of the street. Of course, I wanted a person in the frame, and I quickly spotted this young fellow walking briskly up the hill. A small detail: I like the way that the angle of his back is parallel to the one spot of red color on the wall above him and to the fire escape ladder higher up on the front of the building.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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