Tag Archives: ripped

Street Art, Bologna

Street Art, Bologna
Weathered layers of street art and graffiti on a Bologna wall.

Street Art, Bologna. © Copyright 2023 G Dan Mitchell.

Weathered layers of street art and graffiti on a Bologna wall.

Recently I have noticed that American visitors to Europe are surprised by the amount of graffiti (aka “street art”) in some cities. There is a lot of it, but I’m not sure if there is more of it than in the US. Perhaps they/we just end up in places where it is found more often when traveling, or maybe we are so used to it at home that we no longer “see” it. Another possibility: In the US I think there are efforts to control graffiti in places that tourists go, but in at least some parts of Europe that seems to be less the case. (This is not to suggest that graffiti isn’t a problem, as some recent stories about cretins writing and carving on antiquities has shown.)

One of the European cities where I first started to notice this is Bologna, Italy. Almost a decade ago we spent one night there during a drive from Germany to Tuscany — and I have this strong memory of walking through unlit streets with tons of graffiti at dusk. (After our recent trip, when walks in the same area at the same time of day included quite a few people, I’m beginning to distrust that early memory.) This photograph comes from a side-street in Bologna, where it was one of many examples. This one fascinated me, with its top layer of glued-on paper deteriorating to reveal layers of earlier marks and its interesting palette of colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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In Tatters

In Tatters
Remnants of street posters, Paris

In Tatters. © Copyright 2019 G Dan Mitchell – all rights reserved.

Remnants of street posters, Paris.

One thing I look for when photographing in cities is examples of street art and posters and similar that have been up long enough to have been weathered and otherwise distressed. In some cases they reveal many layers of imagery and text — some painted, some in ink, and some pasted to walls and on top of previous materials.

Beyond being in Paris I no longer recall the specific location or larger context for this splash of color. I just recall that the bright colors, abstracted from their original context by being torn to pieces, caught my attention as we walked by, and that the background white field almost reminded me of paper product wrapping. There’s just enough form to the colors that I might imagine that I could figure out what was there originally…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Green and Blue Wall

Green and Blue Wall
Grafitti and poster remnants on a green and blue Brooklyn brick wall.

Green and Blue Wall. New York City. December 21, 2015.© Copyright 2015 G Dan Mitchell – all rights reserved.

Graffiti and poster remnants on a green and blue Brooklyn brick wall.

We arrived in New York late the day before, in time to check in to lodgings and meet our “kids” (two sons and their fiances) for dinner, but there wasn’t a lot of time to get around and see and photograph. The next morning we met up with our youngest son in the more or less the Williamsburg area, and we wandered about, hitting the waterfront of the East River and then finding lunch.

During any bit of urban wandering I’m almost always on the lookout for photographs. Photographing on the street is an exercise in working quickly and being versatile. In most cases I don’t have a specific subject in mind — the closest to that may be a general idea of looking a buildings or people or water or interiors or… In this case I was in an area with a lot of older construction, and we passed through a few spots that were obviously the hope to lots of posters and graffiti. Oddly, since people are sometimes trying to paint out the tagging, there can be many layers of often new paint, posters in various states of decay, and odds and ends of painted words and images. Here the remnants of a poster partially obscured a hand drawn heart on a wall that appeared to have been painted in two not quite identical shades of blue-green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.