Tag Archives: rocks

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Rainbow and Afternoon Shower

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Rainbow and Afternoon Shower
A rainbow and afternoon showers in the Kings Canyon National Park high country.

Rainbow and Afternoon Shower. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rainbow and afternoon showers in the Kings Canyon National Park high country.

This photograph is a somewhat different “take” on a scene and subject that I shared in another photograph a few weeks ago. A group of us had been camped near this little tarn (and dozens of other nearby lakes) for over a week as we photographed the heck out of the area. This spot was perhaps a ten minute walk from our base camp, so we visited often and photographed the area in a variety fo conditions — morning and evening, sun and rain.

Being established in one backcountry location for a lengthy period of time has all kinds of advantages for photography. While you might not see as large a swath of the range, you do see the smaller area in much more detail. Speaking for myself, my mental attitude toward the landscape changes in these circumstances and instead of always looking for the big thing I start to look more for the unseen thing or the unanticipated way of seeing it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Edge of the Light

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Edge of the Light
Light at the edge of a Pacific Coast fog bank on a summer evening.

Edge of the Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

Light at the edge of a Pacific Coast fog bank on a summer evening.

By this point I am quite familiar with this coastline below California’s Monterey Peninsula — I’ve been visiting almost continuously since I was a child and my parents took the family down there for day trips and rare overnights in Monterey. We went to Point Lobos all the time, where I spent days investigating tide pools and hiking trails along the shoreline.

All of this may partially be my way of explaining why I might make a photograph like this —not a typical “tourist shot” of the rugged Big Sur coast, but something much quieter. The fog is a near-constant presence here, often coming onshore and muting colors and light and condensing the visual world. When it isn’t over the land it is often just off shore — perhaps far enough out that you have to look for it or, as here, right along the shoreline. The edge of the fog bank can be a place of amazing light — dark in distance beneath the clouds and surprisingly bright along the edges and where beams of light reflect off the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Pacific Northwest

Waterfall and Pond

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Waterfall and Pond
A waterfall empties into a small pool, Portland Japanese Garden.

Waterfall and Pond. © Copyright 2012 G Dan Mitchell – all rights reserved.

A waterfall empties into a small pool, Portland Japanese Garden.

This is a portrait-orientation photograph of the same subject I recently posted in landscape orientation — a beautiful and quite peaceful scene from the Japanese Garden in Portland, Oregon.

With some subjects I go ahead and photograph both waits — vertical and horizontal — for several reasons. My first impressions of a subject while I’m on the scene don’t always turn out to be the rest ones, and sometimes I discover later on that a compositional option I had dismissed actually works well. So I recognize that it is possible that a scene that seems to work in landscape mode may turn out to work in portrait mode. On top of that, and thinking in practical terms, sometimes a particular usage of a photograph demands one or the other orientation, and I’d like to be able to offer both options. In this case, the vertical orientation may emphasize the verticality of the waterfall a bit more than the alternative view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.