Tag Archives: ross’s

Three Ross’s Geese In Flight

Three Ross's Geese In Flight
Three Ross’s Geese in flight against cloudy winter sky

Three Ross’s Geese In Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Three Ross’s Geese in flight against cloudy winter sky

Quite a few years ago, the first migratory birds that caught my interest in the wild were geese. I specifically recall the occasion or, more correctly, two occasions. (They may or may not have occurred on the same trip — I no longer recall for sure.) The first was on the long drive north from the San Francisco Bay Area. I had departed late in the day, planning to get a motel in the southern Oregon and then complete the drive the next day. Far up the Sacramento Valley at sunset and then on into dusk I began to see huge flocks of the birds over this agricultural landscape. I really didn’t understand what I was seeing, but I was impressed and it planted a seed.

Then, perhaps on the same trip or possibly on another Seattle visit at about this time, I drove up to the Skagit Valley area. As I drove I saw the remarkable trumpeter swans that are found there, and eventually I pulled over on a curve near some old buildings by fields. Far off in the distant sky I started to see strings of birds, and a few minutes later snow geese began landing right next to me… and they kept coming, until the entire field was filled with the white birds. You can imagine how impressed I was — I had not seen something like this before! I made the photograph shared here much later and in a different place.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Twilight Flight

Twilight Flight
A rush of (mostly) geese at the end of the day

Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rushing blur of birds at the end of the day

First, I do know how to make sharp photographs of birds, too… ;-)

There are many things I can’t really explain about winter bird populations. But as I have watched them (and listened to their remarkable sound) from Washington to California, I am starting to at recognize a few more patterns. At times some birds become increasingly active, and at the end of the day, as light fades, there may be opportunities to depict the motions of individual birds and flocks in a different way — rather than trying to stop motion I just go with longer shutter speeds, pan with groups as they fly by, and let the motion blur take over. Frankly, in many ways I think that this confusing blur may better evoke the wild actions of these evening flocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese Take Flight

Geese Take Flight
Ross’s geese take flight into Central California winter sky

Geese Take Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Ross’s geese take flight into California winter sky

I have learned a lot from photographing birds — a lot about my own interests, a lot about the mechanics of photography, a lot about developing instincts, a lot about the birds, and a lot about what I/we can and cannot control in the making of photographs. The relative contributions of things including skill, persistence, equipment, vision, knowledge, and luck is a subject of much interest and something that I’m still working out. Clearly a photograph of a goose, filling the frame as it rises abruptly into the sky, does require some skill and some equipment. (I think vision is important, too, though it is hard to have a conscious vision in the fractions of a second during which such things occur.) Just as clearly, there are many things in such a photograph that the photographer cannot control, and plain old luck is very much an important elements. Over all of this is the need to be there a lot, since skill and vision and opportunity are all increased by practice.

I photograph this subject fairly often, traveling to areas where such subjects are found every winter. Sometimes nothing much happens — the light is poor, the birds are somewhere else, I’m looking in the wrong direction. But the more I’m in the field the more likely that I’ll encounter a situation that is special and the more likely I’ll be ready to do something useful with it. This was one of those lucky moments. In a place where the birds are all too often at a distance, I found them settled in nearby. I remained in my vehicle, with the camera on my lap, as I crept up very, very slowly. (At times I might have moved only a few inches in a minute.) Any time I sensed the birds going on alert I simply paused and waited. Eventually I was closer to them than I have ever gotten before in the wild, and they took less and less apparent notice of my presence. As always happens, eventually the flock took off, mere feet from my position, and I was able to make a few quick photographs of the event from a very close perspective.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Dusk, Pond, and Tree

Geese, Dusk, Pond, and Tree
Geese take off over pond and tree at dusk, San Joaquin Valley

Geese, Dusk, Pond, and Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

Geese take off over pond and tree at dusk

This day in the wetlands was something of a surprise. When I arrived before dawn, the light was dreary, with a shield of clouds from a passing cold front hiding the sky and the sun, with the exception of a very narrow band along part of the eastern horizon. There was little photograph in this light, but before long the sun rose though that gap and provided perhaps ten minutes of beautiful light… and then that show was over and the flat light returned. All morning long it remained cloudy, though that band of open sky in the east gradually expanded and worked its way toward my position.

Just past midday I finally took a break and left to grab a bite to eat. An hour later I was back, and now the clouds above this area were breaking up and the light was starting to be interesting. By evening most of the sky was clear, though the air remained hazy — not unusual for this part of the world in winter. I looked around for the birds that I wanted to photograph, but wasn’t finding any large flocks. Finally I made it back to where I started… just as geese began to fly out from their resting place in nearby ponds. I put a long lens on the camera and continued photographing well past sunset, as the sky darkened and waves of birds continued to fly away. In the end, this day was a reminder that sometimes finding beautiful conditions requires facing some less exciting light… and being persistent and patient.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.