Tag Archives: rugged

Evening Clouds Above the Panamint Range

Evening Clouds Above the Panamint Range
Colorful evening clouds above the Panamint Range and Death Valley.

Evening Clouds Above the Panamint Range. © Copyright 2023 G Dan Mitchell.

Colorful evening clouds above the Panamint Range and Death Valley.

In previous posts about this Death Valley trip I mentioned that storm-related closures forced me to modify my plans when I arrived in the park. I ended up visiting a few out-of-the way locations on foot, areas not far from central attractions of the park, but perhaps less visited. (In one case, barely visited at all from what I could tell.) But I also made a last-minute decision to drive up to Dantes View one evening, and the sky cooperated.

Quite often the Death Valley sky is… just plain blue. So I was surprised and pleased to spot this interesting cloud formation building over the Panamint Range. Since this is more traditionally a morning photography location, I was pretty happy to see the clouds, since otherwise much of the landscape is in rather deep shadows in the evening. The view is familiar, but remains astonishing — from this location we look down more than 5000′ to the otherworldly features of Death Valley, up to the 11,000’+ Telescope Peak topping the Panamints, and in the far distance a few snow-covered Sierra peaks are sometimes visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light in the Canyon

Light in the Canyon
“Light in the Canyon” — Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Winter Dawn, Panamint Mountains

Winter Dawn, Panamint Mountains
In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

Winter Dawn, Panamint Mountains. © Copyright 2023 G Dan Mitchell.

In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

At the current time many road (and the locations they access) in Death Valley National Park are closed as a result of earlier flooding and washouts. Before I went there this past week I was aware of some closures, but when I arrived I discovered that some of my planned destinations were unavailable. I changed plans, improvised, and still found plenty to see and do in the park, and my list of planned locations remains for my next visit.

If plans had not changed, I would not likely have come back with this photograph. I often make relatively last-minute decisions about where to photograph based on light and sky conditions, and when I noticed that the air was clearer than usual — important given the vast distances in this park — I headed to a location with a view of the first morning light on the Panamint Mountains and their snow-capped summit of Telescope Peak. To give some idea of the distances, the highest peak is perhaps roughly twenty-five miles from my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Coastal Rocks, Surf, and Horizon

Coastal Rocks, Surf, and Horizon
Pacific Ocean surf breaks over coastal rocks, backed byt the distant horizon.

Coastal Rocks, Surf, and Horizon. © Copyright 2023 G Dan Mitchell.

Pacific Ocean surf breaks over coastal rocks, backed byt the distant horizon.

This may be the final photograph in a recent series of images from a short visit to the upper Big Sur Coast during a brief break between our recent storms. It was just one morning, but after being kept mostly inside by a stream of closely-spaced storms, it seemed like time to get out!

While there were no storms on this day, the effects of the past storms were everywhere — downed trees, landslides, damaged roadways. And the next one was already starting to arrive, muting the light, sometimes making the atmosphere a bit murky, and generating large surf from the northwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.