Tag Archives: rugged

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Beneath The Overhang

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Beneath The Overhang
High overhanging walls of a narrow desert canyon, Death Valley National Park.

Beneath The Overhang. © Copyright 2022 G Dan Mitchell.

High overhanging walls of a narrow desert canyon, Death Valley National Park.

This is a remarkable spot in a lovely desert canyon in Death Valley National Park. After hiking up a wash for some distance and navigating around a minor impediment, the path suddenly enters the “narrows” — sections of the canyon with very high walls only feet apart where little light manages to find its way down from above. Entering the soft light, shades, and quiet of these places is always a special experience.

I have presented almost all of my photographs from my recent pair of visits to the park as color photographs. It is hard to forego color with these subjects, given the remarkable variations in the color of the landscape and the light in the desert. But here I felt that a black and white rendition made sense and suggested those characteristic feelings from being in this deep canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon and Strata

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Canyon and Strata
A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

Canyon and Strata. © Copyright 2022 G Dan Mitchell.

A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

This juxtaposition of very dark and very light layers in this badlands terrain has long fascinated me. Often the contrasts among the various layers are relatively subtle, even where obvious colors are involved — but here we see nearly the darkest forms right next to some of the lightest. The material in the foreground is perhaps closer to the typical coloration.

There is a lot to look at in terrain like this, especially when viewed from a slight elevation. In some ways the largest forms mimic and expand on the smallest. Tiny irregularities combine to produce larger versions of themselves, and then these combine to produce larger gullies, which themselves collect together to form that great washes that drain the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Badlands and Desert Mountains, Morning

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Badlands and Desert Mountains, Morning
The dark mass of rugged desert mountains stands beyond badlands lit by morning sun, Death Valley National Park.

Badlands and Desert Mountains, Morning. © Copyright 2022 G Dan Mitchell.

The dark mass of rugged desert mountains stands beyond badlands lit by morning sun, Death Valley National Park.

Some landscapes speak to me immediately, but others may not resonate at first or even for a long time. I made this photograph in a location in the latter category. While I find the desert endlessly interesting, especially in Death Valley, there are a few places that I just don’t get. In many situations they are, like this specific area, popular places where “everyone goes.” I have no issue with locations achieving iconic status, but sometimes I don’t see what the fuss is about. Recently an offhand remark by a friend got me thinking about this area again. On two recent trips I spent some time there, trying to see it with new eyes. This photograph is one of the products of that effort.

The photograph is also an example of the importance of the nature of the light, particularly in the subtle desert landscape. The contrast between the foreground badlands hills and the distant slopes of an immense desert mountain range does not always (or even usually) look like this. Here a combination of warm, early morning light coming from the side and thin high clouds that muted the light on the mountains greatly increased the contrast between foreground and background.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Colorful Strata

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Colorful Strata
Colorful badlands strata in morning light, Death Valley National Park.

Colorful Strata. © Copyright 2022 G Dan Mitchell.

Colorful badlands strata in morning light, Death Valley National Park.

This subject may look familiar if you have been following my posts recently. It is a portrait-orientation composition of a feature that I also photographed in landscape orientation. (You might also think it looks a lot like a different iconic feature in Death Valley — it does, but it is not the thing you may be thinking of.) This is a sort of photograph that I make frequently, a small “excerpt” of a much larger landscape scene, photographed with a long focal length lens. The just-arrived early morning light warmed the colors a bit and brought out the pink and blue tones of the layers.

Photographing these kinds of desert colors can be challenging They are fascinating, but they are also often quite subtle, at least to my eye. In all but the best light they seem almost too faint to come through in a photograph. Some photographers compensate by significantly enhancing the intensity of the colors, but the result rarely appeals to me. Some particular qualities of the light made it work this time. Because it was shortly after dawn the light retained a warmer coloration. Some high, thin clouds muted and softened the light a bit. The band of darker material at the bottom contrasts with the lighter tones and with the colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.