Tag Archives: sand

Dunes, Evening

Dunes, Evening
Evening light comes to desert sand dunes, Death Valley National Park

Dunes, Evening. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to desert sand dunes, Death Valley National Park

I made this photograph on the evening of our arrival in Death Valley this past March, when we spent the better part of a week photographing in this desert park. We took a slow drive into the park from Ridgecrest, stopping at Trona and then in the Panamint Valley before crossing Towne Pass and dropping into Death Valley itself. It was early enough that we decided to take a “little” side trip to some slightly remote canyons in the afternoon and go for a short hike. We returned to the Stovepipe Wells area and then headed out along the dunes in the evening.

The evening light, especially when softened a bit by clouds or else just after the sun sets, paints the dunes and the surrounding terrain in marvelous and subtle colors. Mountains that are blue-gray in daylight and dunes that are almost colorless take on the colors of the haze, the sky, and the evening light, with shades of pink and yellow and blue and purple and more. This little vignette adds the green of the lush plants growing atop this sand dune, though the dead plants at the right betray the harsh conditions that are found her much of the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sand and Shadow

Sand and Shadow
Patterns of light and shadow on desert sand dunes

Sand and Shadow. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of light and shadow on desert sand dunes

This was just about the last photograph I made during this year’s spring photography trip to Death Valley National Park. Our plan was to get up and be on the road to the Los Angeles area in the morning, but I couldn’t resist one more early awakening, so I was up and down the road before sunrise, parking my vehicle a half hour away from a location I had been thinking about for some time. I headed out across the flats in the pre-dawn semi-darkness and hiked toward low dunes as the sky began to lighten. It was very quiet and the air was still as I arrived and climbed up onto low sand hills and dunes.

I was surprised to find the wind blowing stiffly in the dunes, and as I photographed the foot or so above the sand was filled with blowing sand, occasionally muting the otherwise distinct patterns of rippling sand. I began by photographing some longer views across ranks of dunes rising toward the east, but I gradually shifted my attention to closer and smaller subjects, looking for interesting patterns and conjunctions. This deep shadow fell across a low spot in the sand, and contrasted starkly with the higher dunes that were already in full sun, creating a sort of yin-yang pattern. A few more minutes of photography, and then I packed up, walked back the way I had come, returned to our lodgings, and soon we were on the road once again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exposed Playa, Dunes

Exposed Playa, Dunes
Old playa surface exposed among sand dunes

Exposed Playa, Dunes. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Old playa surface exposed among sand dunes

I recall being fascinated by these old (how old I do not know) bits of old playa surface that poke out from under shifting dunes in Death Valley from the first time I wandered in the sand dunes. Walking toward the dunes from the roadway, the route almost invariably passed among these features. (I usually try to step between or around them, as many of them are quite fragile.) Although they appear now in places where it seems very unlikely that we will find water, the cracked mud surface betrays the fact that it was here once.

This example was a bit of a surprise. We had photographed around the periphery of the dunes at sunrise, and then walked up the sand to photograph their textures, forms and colors. Mostly I look for juxtapositions of the curving shapes of dunes, and contrasts between sunlit and shadowed areas, especially where the wind has created fine rippling pattern. Wandering a bit further into the dunes I came over a sand ridge and saw a group of potential photographs, with this outcropping sticking out from under the sand at the bottom of a low spot surrounded by higher dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer, Death Valley

Photographer, Death Valley
Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Photographer, Death Valley. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Patricia Emerson Mitchell at work in the desert landscape of Death Valley National Park in morning light. Our morning here started much earlier, well before sunrise, and we walked out across the playa and around the side of dunes before sunrise. We arrived at the dunes just as the first light arrived, hitting the mountains to our west and then working its way down to the valley floor and across to us. Landscape photography might seem like a rather leisurely pursuit — after all, mountains don’t move much! — but at these times of marginal light things can happen very quickly.

We continued photographing after sunrise, enjoying the chance to explore the nearly endless subjects among the forms and colors and textures of the dunes. Eventually the sun would rise high enough to diminish the beauty of the light and it would be time to leave. It was perhaps approaching that time when I stopped atop a low dune and saw Patty photographing across the landscape, with her long shadow extending in front of her camera and the distant mountains of the Panamint Range rising in beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.