Tag Archives: sand

Dunes, Plants, Evening

Dunes, Plants, Evening
Evening light on a cluster of plants growing among sand dunes.

Dunes, Plants, Evening. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light on a cluster of plants growing among sand dunes.

The sand dunes in the evening can be many things — the wind may blow or it may be still, glaring light transitions through golden hour to blue after sunset, in the right spot one may photograph alone. Above all, this is a time of transition in the light, and there is a sweet spot — perhaps just as the sun drops behind mountains or clouds to the west — when the light is still directional but when all the harshness disappears, soft light remains, and colors invisible in the daytime begin to appear.

I made this photograph on the first evening of our recent visit to Death Valley. We had arrived in the middle of the day, driven off to explore a less-traveled canyon, returned to get settled in to our accommodations, and then headed out into the late day light. Bypassing the crowds at the iconic turn-outs, we kept going, and as the sun dropped toward the ridge of the western mountains we grabbed equipment and headed out across the playa toward a quieter area of the dunes where we might find untracked sand.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sand Dunes, First Light

Sand Dunes, First Light
The first morning light reveals textures in sand dunes, Death Valley National Park

Sand Dunes, First Light. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first morning light reveals textures in sand dunes, Death Valley National Park

These dunes, and others like them, are both more ephemeral and more permanent that many may expect. The permanence initially surprised me. I had always imagined the peaks of dunes marching gradually across the landscape like slow motion ocean waves, producing a landscape that would never be the same twice. However, observing certain dunes in Death Valley National Park over a period of time made it clear that the broad features of the dunes are actually very nearly permanent. From year to year the overall form of the dunes remains largely the same — no surprise, perhaps, given that the forces that form them are constant, including the prevailing winds and surrounding geological features. Yet, other things are more ephemeral. Plants come and go, and footprints are erased by the next dust storm. The light is constantly changing, through the daily cycles and the annual cycle.

This was the final morning of this trip to Death Valley. Since dust storms (and rain!) had passed through the previous evening I was certain that I could find areas unmarked by footprints, where the natural patterns produced by wind would be found. I drove to a less popular area near the dunes, loaded up my equipment, and set out across the playa to get to the low dunes I had in mind. I arrived in soft pre-dawn light and began to photograph, trying to work with this subtle light and its extraordinarily low contrast, all the while watching the sky to the east to see when sunlight would strike the dunes. I composed this photograph in that soft light, but as I worked the sun cleared the mountains far to the east and warmer colored light began to more clearly show the sand patterns. I made this photograph during the very brief interval — literally only seconds — when that first light began to softly light the sand and before it struck with full intensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dry Mud and Sand

Dry Mud and Sand
Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

I almost titled this photograph, “Another Photograph of Mud.” But I have resisted that temptation, and once again used a simple more or less objective title. But, indeed, this is almost a photographic type when it comes to the Southwest, and one that is awfully difficult to pass up. These formations come about when silt-laden water rushes down desert canyons, washes, and streams, leaving behind a layer of very wet silt. The layer may be thin, as it was in this case, or it may be quite thick. In one narrow canyon last year I slipped into such silt-mud and it almost seemed like there was not bottom!

I’m not sure quite what explains our fascination with these formations. Is it because they are among the most transient features of the physical landscape, disappearing and then reforming every time it rains? Is it the patterns themselves, which can have a wonderful geometric quality and, at the same time, embody a randomness? Is it the combination of the colors of the material, which can range from white through black with many colors in between, and the reflected canyon light? Possibly it is all of these things and more.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dust Storm, Desert Mountains

Dust Storm, Desert Mountains
Dust from a desert sand storm fills the air and obscures mountains

Dust Storm, Desert Mountains. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dust from a desert sand storm fills the air and obscures mountains

You’ll have to look closely to make sense of this one. Made on April 1st, there is a certain sense about this photograph of a minor April Fools joke played at my expense. I had experienced several days of very dusty conditions in Death Valley. On the first day I was way up in the Panamint Mountains at dawn, only to discover that I was still within a cloud of dusty air the extended up to well above 8000′ of elevation. I never did figure out where it was coming from, as the Valley itself certainly wasn’t producing it. That night the winds came to the Valley and blew a decent sand storm through my camp. The next day I figured that I would try to find a way to evade the blowing dust.

I got up very early — as always — and headed out of Death Valley and to the east toward Nevada. I then took a long back road route back into the park. This route took me on back-country gravel roads through the Amargosa Range, eventually dropping down into a deep canyon before heading back to Death Valley. Driving in these mountains and down this canyon, I forgot about the dusty conditions — here there wasn’t more than a bit of hazy atmosphere and the wind didn’t work its way into this canyon either. At the bottom of the canyon the route finally emerged from a narrow canyon and arrived at the top of a huge gravel fan stretching down toward the Valley. And here I saw the extent of the dust and wind, as the entire Valley was full of dust that was well-distributed yet thick enough to almost completely obscure the mountain range on the other side. My day of clear weather came to an abrupt end as I descended into the dust and wind and headed back to my camp.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.