Tag Archives: scene

Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

NO FOTO, NO FILM

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NO FOTO, NO FILM
People passing along a narrow street in Siena, Italy

NO FOTO, NO FILM. © Copyright 2018 G Dan Mitchell – all rights reserved.

People passing along a narrow street in Siena, Italy.

This photograph comes from our brief, one-day visit to Siena, Italy in 2016, made during a week-and-a-half stay in Tuscany, mostly in the hills between Siena and Florence. We were in Siena only long enough for a single foray into this fascinating city, and I would certainly like to return.

There are several ways to “see” this photograph, I think. It started with the little “pizzicheria” shop across the narrow street, and its catchy little “NO FOTO NO FILM” sign, likely posted to let tourists known that the owners don’t want folks going inside to make photographs. It is also a record of the sorts of crowds you will find here on a summer, tourist season day — many of the narrow streets are absolutely filled with visitors. Finally, if you look a bit closer you might find a few other interesting features — some of the individuals in the scene, some interactions among them, and some shapes and forms that their figures create. I’ll leave it to viewers to have fun with those things.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Quiet Forest

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Quiet Forest
A quiet and unremarkable forest scene in a peaceful corner of Yosemite Valley

Quiet Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

A quiet and unremarkable forest scene in a peaceful corner of Yosemite Valley

There are a few things about photography that we don’t often talk about too much. One of them is the fact that some days simply don’t bring remarkable light and conditions. Exceptional conditions are… exceptional. You increase your chances of photographing them if you are out there a lot, but this means that you also increase the chances that you’ll have some days when things seem a bit… dull. This was one of those days. Actually, it had been better earlier in the day and it promised to be good later on, but at the time of day when I made this photograph the light was somewhat “blah.”

So I strapped on my pack, grabbed my tripod, and went for a slow, lazy hike in an area that didn’t feature any particularly distinguishing iconic subjects. It was actually a wonderful walk. Having given up on the idea of finding brilliant light, the pressure was off, and I was free to wander slowly, looking around and going wherever it seemed interesting. At one point I crossed a bridge and decided to follow a little trail into forest along the shores of a river. A ways up that trail I though that rocks and trees off to one side looked interesting, so I left the trail and wandered off that direction, finally stopping to photograph some interesting tree bark patterns. Once I was set up it made sense to look around a bit, and I soon spotted this little scene with a path, some trees, and a large boulder.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest Scene

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Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Xing School

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Xing School
Street crossing marking on the roadway in Chinatown, Manhattan

Xing School. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street crossing marking on the roadway in Chinatown, Manhattan

I’m going to divert briefly from the Death Vally photographs today and return to a much different place, the urban world of New York City. I made this photograph about four years ago and only rediscovered it today. Sometimes as I work my way though files after returning from such a location I get interrupted by another project and occasionally I leave work unprocessed. I think that is what happened in this case, as this wasn’t the only photograph in the batch that I had overlooked. (I only went back to these images because I was looking for something to use as an example in a reply to someone’s technical question.)

The location is Manhattan’s Chinatown, and I’m pretty sure it is a section of my favorite street in this neighborhood. (I have a kind of informal project of photographing this East Coast location and its West Coast equivalent in San Francisco.) I did something a bit unusual with my post-processing interpretation of the image. I suspect that it may not be obvious to viewers, but I played with the color levels and actually diminished their intensity quite a bit — I think this provides a little different sense of the quality of this location.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.