Tag Archives: season

Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite
Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees, fog, and snow on the granite summit of El Capitan glow in a final beam of sunset light.

Near the beginning of March I was in Yosemite Valley for three days in conjunction with the opening of the Yosemite Renaissance XXIX exhibit. (One of my photographs is in the show.) It was a wonderful weekend in many ways. Lots of artists of all sorts were there for the opening—and for Yosemite!—and I had the chance to get together with many friends among them. It was also a time of atmospheric conditions that were spectacular in ways that interest me as a photographer – broken light, occasional rain, mist and clouds.

On this evening we went to Tunnel View since it was mostly gray down in the Valley and because there was some promise of not only drifting clouds and mist there, but also of some late day light. All of those things happened, but as the end of the day approached, the “lights went out” as the clouds to the west thickened and blocked the setting sun. I continued to shoot for a while, mostly focusing a long lens on small distant details within the scene, but I finally decided that the light was simply becoming too flat and I walked back to the car to pack up, thinking about the friends I would soon join for dinner in the Valley. At the back of the car I removed the long lens, collapsed the tripod, and was packing everything away when Patty, who was sitting the front seat and facing the valley, exclaimed, “Look at that light!” Frankly, I wasn’t expecting much, but when I looked up I saw a blood red band of light stretching across the cliffs of El Capitan on the left and Sentinel Rocks on the right. Apparently the sun had found a narrow gap in the clouds almost exactly at the point it reached the horizon far to the west. I immediately knew that this light would be gone very quickly—at best it might last a minute or two—so I worked very quickly to set up the tripod, attach the camera, and stick a long lens on it… not even looking up at the view as I worked. No time to look! I quickly moved the camera to the nearest possible shooting location and, working almost entirely intuitively, quickly picked out perhaps four different shots, each focusing on the momentarily best bit of light as the scene evolved quickly. The final bit of light was a rapidly fading stripe just across the snow- and cloud-shrouded summit of El Capitan, where the upper rocks, snow, and trees picked up the intense red light for a matter of a few seconds, and then it was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Drifting Fog

Forest, Drifting Fog
Forest, Drifting Fog

Forest, Drifting Fog. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter evening fog drifts among forest trees, Yosemite National Park

Winter is a special time in Yosemite Valley, and during the first weekend of March it was special for all the usual reasons and a few others. The Yosemite Renaissance XXIX opening reception opening took place on Friday and the Range of Light Film Festival was going on all weekend. Not only did this provide opportunities to view beautiful interpretations of the Sierra and the park by a wide range of visual artists, but it also meant that the place was full of painters, sculptures, photographers, and film-makers, among whom were a good number of personal friends. It seemed like wherever I went I found people I knew. Many were doing their work, but there was a relaxed quality that led to plenty of sitting on rocks, looking at views, conversations, and even a few dinners.

But even without all of that, the Valley seems to me to be at almost its most attractive at this time of year. We arrived on a rainy late afternoon, with snow falling along the upper reaches of the Valley. Clouds and fog and mist were everywhere, blocking the light one moment and then moving to allow bits of light here and there to highlight ridges, trees, cliffs, and peaks. Even photographers who usually shoot somewhere else headed to familiar lookouts such as Tunnel View, and I found myself there more than once. For me, the primary attractions of that place at this time of year — in addition to running into friends and yakking it up — are the vignettes of bits of cloud-shrouded ridges and trees above and the frequent fogs floating through the forest on the Valley floor. So I put on a long lens and pointed the camera either up or down towards these subjects and watched the show. As I was photographing the fog drifting among trees down in the Valley, as in this photograph, I remarked to a nearby photographer friend that this subject forced me to toss out any attempt to work slowly and thoughtfully and methodically. The fog was inconstant motion among the trees and momentary compositions would coalesce in one or another part of the Valley below, only to disappear as quickly as they had appeared. In the time it takes to carefully frame and compose an image the momentary subject would simply disappear, either become completely obscured or else losing its magic as the fog thinned. Quick and instinctive work was and is the only thing that works here!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Autumn Snow

Aspen Grove, Autumn Snow
Aspen Grove, Autumn Snow

Aspen Grove, Autumn Snow. Eastern Sierra Nevada, California. October 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn snow blankets a grove of nearly bare aspen trees

We began this year’s main eastern Sierra “aspen chasing” trip on a day when an early season snow storm closed all of the passes that are not designated at being “all-season,” so Tioga, Sonora, and Ebbetts were all closed. Our best alternative was to cross on highway 88 over Carson Pass. Not that this is a bad thing! Carson features large stands of aspens on the west side of the pass and then the descent through aspen-filled Hope Valley on the east side. From there we headed down through Markleeville and up over Monitor Pass, which also has large aspen stands near its summit. After descending, we headed south on highway 395 toward Bishop, with light rain or snow falling all day – in my view, perfect conditions for autumn photography!

Along the way we made plenty of stops and a few side excursions to explore various side canyons, many of which I know fairly well from past visits. This photograph was made on one of those side roads, and this particular stand of aspen trees is one that I know very well. I’ve stopped here every year for some time now, in conditions ranging from almost fully green trees (too early!) to bare trees (too late!), and in sun and clouds and wind and snow. This time we found that the little grove was close to the highest elevation of the remaining colorful trees, so we stopped and I spent a little time photographing inside the grove… in lightly falling snow and a very cold wind.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-faced Ibis

White-faced Ibis
White-faced Ibis

White-faced Ibis. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A white-faced ibis feeding in a shallow pond, California Central Valley

As a relative newbie to serious bird photograph, I recall my first “discovery” of the white-faced ibis. On an early visit to a California Central Valley wildlife refuge I had been astonished by the huge numbers of birds passing by overhead, and frankly I made a lot of photographs without any idea of what I was capturing. (I still don’t always know for sure – in November I thought I had photographed Ross’s geese, only to be surprised to find that a closer inspection of the photos revealed them to be snow geese.) I recall one morning out near the levee of a major Sacramento Valley river when I saw a beautiful group of birds approaching in dawn light and I managed to get a very nice photograph of “some birds” overhead – and later a friend remarked, “Those are tundra swans!” I’d never even heard of tundra swans before, much less looked for them.

So my first ibis photographs were accidents. I recall photographing a very impressive wedge of black birds flying overhead a few years ago, and then discovering as I worked on the files in post that the birds had surprising (to me!) long and curved bills. I had no idea what this meant, but I was intrigued. I eventually asked a friend who suggested that they might be white-faced ibises. This, like quite a few bird names, confused me, since I had never seen such a bird with a white face. It turns out that I had seen them… but the “white-faced” stage is, as I found out just last week, a seasonal thing! In late November of this year I returned to one of my bird photography haunts and found a very large number of these ibises in one area of the refuge I visited. And not only were there many of them, but they were rather close to my position – so I ended up with a nice basic set of photographs of this particular kind of bird. This specimen was feeding in grasses in shallow water, and as it poked around looking for something to eat it would regularly immerse its beak almost up to its head. I like several things about this particular shot – the red eye is clearly visible, and the interesting feather coloration on this one is interesting. (It can range from black to quite colorful.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.