Tag Archives: season

Winter Trees, Levee Road, Fog

Tule fog softens the light on a Central Valley levee road winding among winter trees.

Winter Trees, Levee Road, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog softens the light on a Central Valley levee road winding among winter trees.

My usual inclination when photographing a place like this is to focus on the natural and to exclude the signs of the human presence. It is perhaps ironic that I embrace the human world in my street photography but often obscure it in my other work. I think this comes from the desire to imagine a “natural” work without, well, us. There are fine reasons to do this, but there are also some reasons to not imagine that we are not part of the natural world. (This subject likely deserves and article, a book, a small library — not a two-paragraph post!)

During the winter months I often photograph in California’s Central Valley, attracted by the tule fog and by the migratory birds. And I mostly photograph these subjects as examples of nature. But the Central Valley is anything but a natural wilderness! It is crisscrossed by roads large and small, increasingly filled by towns and cities, and dominated by the agriculture industry. The good news is that those things are interesting photographic subjects, too. This road more or less winds along a levee at the edge of a large pond. I paused here to look back and the way I had come, photographing the road winding through a gentle landscape of tule fog and winter trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dormant Trees and Fog

Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog and Morning Light

Fog and Morning Light
Tule fog covers a Pacific Flyway wetlands pond as morning sun begins to break through high clouds.

Fog and Morning Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog covers a Pacific Flyway wetlands pond as morning sun begins to break through high clouds.

This was one of the foggier mornings I’ve spent out along the Pacific Flyway, and that wasn’t the only unusual thing about the weather. Driving out here hours before dawn, most of the route was clear of any fog. But when I turned off the highway onto a narrow country road the fog was instantly so thick I could barely see to drive. As I continued it varied, sometimes thinning a bit, but always shallow enough that I could look up and see the setting full moon. I arrived at my destination if foggy darkness and headed out to make photographs.

On a typical morning, even when it is quite foggy, the light changes when sunrise colors arrive a one the fog. But high clouds kept this morning kept the light at bay and it remained gray. Eventually the tule fog thinned enough in a few spots that the higher clouds occasionally became visible for a moment, and weak sunlight sometimes made it though the murk. I made this quiet photograph during one of those moments when the fog began to glow just a bit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Sky, Birds, Sun

Winter Sky, Birds, Sun
Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

Winter Sky, Birds, Sun. © Copyright 2022 G Dan Mitchell – all rights reserved.

Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

This photograph holds one brief instant of nearly miraculous light… from a morning on which the light was generally much less than miraculous. I was in California’s Central Valley largely because I wanted to photograph in foggy conditions. These are common here at this time of year, when tule fog rises overnight and creates a thin but often very dense layer of fog. Most people prefer to not be out in these conditions — the driving can be nerve-racking — but the landscape can be very beautiful when it all works out just right.

The potential was certainly there as I drove to my destination. The fog suddenly became very dense perhaps twenty minutes before I arrived, but it was shallow enough that the setting full moon was clearly visible in the pre-dawn sky. However, a higher layer of clouds spread over the sky and fog that might have glowed in sunrise light simply went gray. Eventually the thinning tule fog lined up with a few momentary breaks in the higher clouds and some light shone through. During this one brief instant the sun was visible, surrounded by a halo of lighter clouds, and a pair of geese flew past, barely visible in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.