Tag Archives: shadows

Evening Shadows, Mono Lake

Evening Shadows, Mono Lake
Evening Shadows, Mono Lake

Evening Shadows, Mono Lake. October 11, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening shadows fall across the western shore and islands of Mono Lake

The landscape of Mono Lake, near Lee Vining, California, provides a stark contrast to the Sierra Nevada just to the west. From the alpine ridges of the Sierra along and just north of Yosemite, the eastern slopes of the range drop quickly to Lee Vining and the broad valley beyond. The lake sits in a dry basin that has no outlet, so the water simply (for the most part) evaporates.

The lake is huge, stretching far to the east beyond Lee Vining. The landscape of the lake is simple, partly because the surrounding area was once submerged when the lake was much larger than it is today. Far in the distance is Boundary Peak and the ridge of the White Mountains. The sun sets early here, since the tall peaks of the Sierra raise to the west, and in this photograph deep shadows are already angling across the western shores of the lake.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Rain

Desert Mountains, Rain
Desert Mountains, Rain

Desert Mountains, Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Afternoon rain falls on peaks beyond a rising series of rugged desert mountain ridges, Death Valley National Park

This turned out to be a surprisingly and almost ridiculously productive day of photography, which was not at all what I expected as the day began nor at any number of times later in the day. Much of what happened was unplanned and the result of discovering things and of reacting intuitively to changing conditions. Prior to getting up before dawn to head to out first shooting location, my description of what I hoped would happen on this day or even of what I expected would happen would have had little in common with how it evolved. I have related some of the details of the earlier parts of the day already—sunrise light cut short by an incoming storm, the surprise discovery of abundant high desert mountain wildflowers, a snow storm, a first visit to an old historic site, and more—so I’ll just briefly mention the later part of the day. The winter storm, that brought some rain and snow to Death Valley National Park mountains, finally broke up, leaving a few showers high up in the mountains along with brilliant light coming through gaps in the thinning clouds, and these conditions lasted right on into the evening.

I made this photograph in the late afternoon. There was still plenty of rain or snow among the peaks, though the air was much clearer below and, indeed, some light was beginning to come through the clouds. Here I had a clear view across a portion of the valley, over the alluvial material at the base of the Cotton Mountains, and on up across the layered ridges toward the cloud-shrouded higher peaks. I had an idea for this as a photograph, but the light was difficulty and I knew that significant work in post would be required. Indeed, while this might seem like a simple natural landscape, the final version here is the result of significant work done after the fact in the digital darkroom.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Panamint Mountains

Clearing Storm, Panamint Mountains
Clearing Storm, Panamint Mountains

Clearing Storm, Panamint Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The remnant clouds of a spring storm clear over the snow-dusted peaks of the Panamint Mountains, Death Valley National Park

This was one of the most interesting and varied days I’ve spent in Death Valley, in terms of everything from the weather to photographic subjects. (It probably wasn’t the most varied day—that might be a story for another post sometime.) As is typical, the day began well before dawn with an early wake-up call and a long drive in the dark. In this case, the objective was to be at a high place with a panoramic view before sunrise. We arrived there in the early pre-dawn light to find that clouds were moving in. There was a brief moment of photographable sunrise light, and then the scene went relatively gray, though still with some interesting possibilities. As we left this spot we saw snow flurries on the peaks around us. We then photographed some old remnants of the mining activities in these mountains as the snow increased, at one point coming down fast enough that we decided to beat a retreat to a lower elevation. Intermittently things would clear a bit, and we took advantage of the soft light to make midday photographs of the abundant spring wildflowers.

Eventually the weather began to break up a bit and we had some sun. By this time in the afternoon what had been more or less universal cloudiness and snow in these mountains had transformed into scattered cells of precipitation, but mostly into beautiful blue sky interrupted by billowing, sunlit clouds, whose shadows raced across the high desert landscape. Here, as we returned from investigating what was at the end of a gravel back-country road and were about to return to the paved highway, we stopped to take one last look back towards the higher peaks of the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.