Tag Archives: shadows

Winter Light and Cross Walks

Winter Light and Cross Walks
Winter backlight illuminates pedestrians and cross walks in Manhattan

Winter Light and Cross Walks. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter backlight illuminates pedestrians and cross walks in Manhattan

People in cross walks seems to be becoming a bit of a theme here. I think that a reason may be that people tend to stay more or less in one place a bit longer while waiting to cross and their paths are more constrained while crossing the street. On top of that, encountering the temporary end of the sidewalk at a street corner does tend to face people into groups, and once the light changes they retain some connection to the group for a moment.

A few other factors appealed to me in this scene, and it wasn’t just the people. The light was wonderful, low winter light coming up the street from Lower Manhattan, and impossible to keep its sources out of the camera’s field of view in this shot. That produced the soft glare of light in front of the buildings on the right and it backlit the figures and case long shadows. Those shadows cross perpendicular to the light-colored lines of the cross walk, with become wider as they get closer to my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Brick Wall, Balcony Shadows

Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Scrim, Bars, Shadows

Scrim, Bars, Shadows
Winter tree branches cast soft shadows on scrim window covering

Scrim, Bars, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter tree branches cast soft shadows on scrim window covering

I was tempted to write little or nothing about this photograph and just let it stand as is. But that would break with my tradition of posting something about every photograph! (Apologies to those of you who aren’t fans of the writing! ;-) The subject is the conjunction of a shadow and the bars of a window.

The photograph illustrates, perhaps, the usefulness of bringing a camera along even in situations where photography isn’t your main goal. We were in New York for a week in late December, and on this freezing cold winter day we did what so many do on such days — we headed for the warmth of a museum, in this case the Metropolitan Museum. Our primary goal was to see the large David Hockney show, but there were other things to see as well. At one point, while considering what to do next, we ended up in a familiar gallery off in the distant reaches of this large and confusing museum. At one end of the room was a stairwell. Southwest facing windows were covered with a sort of scrim that muted the direct light, and winter-bare tree branches cast shadows on it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Lexington Avenue

Pedestrians, Lexington Avenue
Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

Pedestrians, Lexington Avenue. Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.