Tag Archives: shoreline

Mouth of the Klamath

Mouth of the Klamath
Evening fog at the mouth of the Klamath River and the Northern California Coastline

Mouth of the Klamath. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening fog at the mouth of the Klamath River and the Northern California Coastline

The first day of my early June visit to the Redwood National and State Parks area was largely devoted to the very long drive up from the San Francisco Bay Area. I got an early start — always important to at least try to get out of the Bay Area early on commute days! — and was in Redding by late morning. While that is certainly far enough north it isn’t far enough west, and a three-hour drive to the coast was still ahead of me, plus perhaps another hour north along the coast to my lodgings in Crescent City.

After so much inland driving, it was a relief to finally reach the coast in the Eureka/Arcata area and to then turn north toward my destination. I lingered a bit in the Klamath River area. I feel a bit of a connection to this river as I have spent some time photographing birds in the area where it crosses the California-Oregon border. I didn’t know this area around the river’s mouth at all — I just knew that the low hills and coastal light were beautiful. I crossed the river on a long bridge, passed by various businesses clustered near its north end, and soon found a promising road out to the hills just to the north, from which there is a panoramic view back across the rivers itself and the hills and coast to the south.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pacific Surf, Morning Fog

Pacific Surf, Morning Fog
Light fog hugs the shoreline near a far Northern California beach

Pacific Surf, Morning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light fog hugs the shoreline near a far Northern California beach

The redwoods aren’t quite the whole story in this far northwest corner of California. There is this ocean… and a rather remarkable coast. There are other things, too — lots of bucolic farmland, quaint little towns and more. While the redwoods were my main “target” on this visit, I did stop to photograph a few other things, too.

On my way north I had come to this beach just before sunset, but since it had been a very long day and I wasn’t “seeing it” as I passed by, I just kept going. But, as I often do, I filed the location away in my memory as being one with some potential. On my third morning I started down the coast towards Fort Bragg, and after stopping briefly at some redwoods I came down the hill to this beach again, where I saw one of my favorite shoreline conditions, thin fog, partially thrown up by ocean spray and hugging the coast.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Fog, Point Sur Shoreline

Clearlng Fog, Point Sur Shoreline
Sun shines on the shoreline near Point Sur Lighthouse as morning fog thins

Clearing Fog, Point Sur Shoreline. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun shines on the shoreline near Point Sur Lighthouse as morning fog thins

Most of the photographers I know have their “home territory,” the “local neighborhood” where they have photographed for a long time and to which they like to return. For some it may literally be their neighborhood, and they may photograph right around where they live, perhaps even within walking distance. For others it might be a place they no longer live but which they regard as “home” when they go back. My photographic home is rather large, and for almost my entire life it has included California territory from the Pacific coast and redwoods through the Sierra Nevada. Within this larger area, I have to think that the California coast is probably the strongest “home” for me. I’ve gone since my family moved to the San Francisco Bay Area when I was four-years-old, and we used to visit state beaches and explore tide pools and coastal trails at Point Lobos.

I still live close enough that I can get up early, drive to the coast, photograph for a few hours, and be home by early afternoon. That’s exactly what I did today. I always check weather forecasts before heading over, and today’s imagined that the coastal fog would break up around 8:00 AM. Wrong. But, no problem, I simply headed a bit farther down the coast, looking for that region of special light on the border between thinning fog and hazy sunlight. I found that boundary and made this photograph of a familiar area where the rocky headlands and beaches lead toward the old Point Sur Lighthouse. There was plenty of filtered sunlight, and still a few cloud shadows when I made the photograph.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake Shoreline, Evening

Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.