Tag Archives: muted

Pond, Fog, and Sun

Early morning sun muted by tule fog, illuminates a late-autumn pond.

Pond, Fog, and Sun. © Copyright 2022 G Dan Mitchell.

Early morning sun muted by tule fog, illuminates a late-autumn pond.

Continuing with the fog theme, here is another photograph from this week’s visit to the California Central Valley. Even though I scheduled this visit because I knew there was a good chance of thick fog, I was a bit surprised by how much of it I encountered. I ran into serious fog before leaving Santa Clara County to cross to the Great Valley, and it was a more or less constant companion on my two-hour drive. When I arrived at my destination before sunrise the fog was extremely thick, and there was hardly enough light for photography at first.

On these days the fog determines what the landscape looks like: what is the condition of the light? How transitory are the conditions? How far can we see? Is the fog dim and gray or does light in the sky above add color and make it luminous. While it started out on the dim and gray side on this morning, the thick fog wasn’t deep enough to block the light from the rising sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sierra Crest, Evening Light

Sierra Crest, Evening Light
Muted evening light on the Sierra Nevada crest, John Muir Wilderness

Sierra Crest, Evening Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Muted evening light on the Sierra Nevada crest, John Muir Wilderness.

Here is another photograph that I’ve recently “mined” from a vein of raw files from a weeklong visit to the John Muir Wilderness backcountry a couple of years ago. We hiked in (with pack animal support) and set up a basecamp, from which we could set out in all directions on day hikes to photograph the remarkable surroundings. The weeklong stay gave us plenty of time to explore, to revisit areas in different conditions, and to get to know our surroundings more intimately than we might on a hike-through trip.

I made this photograph in the early evening, not very far from our camp. By this time I was well acquainted with the various views from this location, and I went to this spot hoping to photograph the soft, warm early evening light with clouds from typical summer monsoon conditions. The high, bugged peaks in the distance lie on the Sierra Nevada crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Rocky Shoreline And Spray

Rocky Shoreline And Spray
Spray from surf mutes a rocky Northern California shoreline scene

Rocky Shoreline And Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spray from surf mutes a rocky Northern California shoreline scene

This rocky and exposed beach, open to the Northern California Pacific Ocean, first caught my attention as I headed north on the first day of my visit to redwood country. I had made the long drive up the Central Valley, the long traverse out to the coast at Eureka/Arcata, and then traveled further north to the redwoods on my way to my final destination in Crescent City. Perhaps unexpectedly, in many spots along this coastline you don’t actually see the ocean or the shoreline itself — the route tends to be inland a ways and/or travel through forests. So when the road came around a bend near sunset and arrived at this spot, where the waves are literally only feet from the edge of the road, it made quite an impression. I stopped briefly but did not see a photograph at that time, and I travelled on.

Several days later, as I departed the Redwood National and State Parks area (and after making a final stop at Prairie Creek State Park), I again came down a hill to this beach. I stopped again, but this time the conditions were quite different. There was active surf coming onshore, and the waves had stirred up a thin, low fog that hugged the coast. Overhead higher clouds indicated the passage of a weather front. From this spot it was easy to see how littered this coastline is with the boulders and sea stacks that are left behind as the ocean erodes the shore.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Fog and Rocks, Big Sur

Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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