Tag Archives: sidewalk

Bargains of Chinatown

Bargains of Chinatown
Night photograph of a closed Chinatown shop, San Francisco

Bargains of Chinatown. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of a closed Chinatown shop, San Francisco

In early September I again joined a group of folks who like to photograph San Francisco urban and street subjects after dark. Most of the group met before sunset, did a bit of street photography, joined for dinner at a place along the edge of Chinatown, and then headed out for a couple of hours of photographing in the urban nightscape. Once again we passed through Chinatown — hard to resist when we were already there! — and on down into areas closer to Market Street.

Late in the evening it was time for me to head back to my car, so I said good-bye to the rest of the group and headed back the way I had come, walking alone this time. It was now much later, and this area pretty much shuts down — surprisingly so for a Saturday night in The City. But this meant that the earlier crowds were gone and the scene was a lot quieter and slower. When I passed this corner earlier the shop was open and there were quite a few people around, but now the shutters were closed and the green light washed over the urban landscape of sidewalks and steps leading up toward a dark alley. After years of doing night photography the “old way” — tripod and long exposures — I’m still amazed that I can wander out and shoot stuff like this using a small handheld camera these days.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Passersby

Passersby
A couple passes a man with a dog on a San Francisco sidewalk

Passersby. San Francisco, California. July 25. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple passes a man with a dog on a San Francisco sidewalk

There are stories behind all of my photographs, but the stories of street photographs can be a bit more involved — they often include not only my own story but also the stories of the events and even the people who may appear. There is a bit of both in this photograph of some people along a sidewalk in the Chinatown area of San Francisco, a photograph made in the early evening at the beginning of a night of street photography. I can’t try to describe everything that might be here, but I’ll share a few hints.

The first subject I see in this photograph is the woman, whose gaze is somewhat averted and whose demeanor does not express complete ease. The young man she accompanies is, obviously, facing away from the camera as she clutches his arm. Look to the left and notice the figure near the lamppost — a man clothed in a tie-dye “robe” (for lack of a better description of his improvised attire), carrying a backpack, and walking a very large and hairy dog. That man was the first subject to catch my attention, and when I first saw him he was behind my camera position and walking towards me. Believe me, he was quite a subject himself, but I am not fond of grabbing photographs of people who seem to perhaps be down and out — that sometimes feels like a bit of cliché. So I let him pass without a photograph, but then instinctively turned to see the scene unfold in the wake of his passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Market Street

Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Colin P. Kelley

Colin P. Kelley
Stark light on an old building on Colin P. Kelly Street, San Francisco

Colin P. Kelley. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Stark light on an old building on Colin P. Kelly Street, San Francisco

Most often when I go out to make photographs I do not have extremely specific ideas about my subject or even about how I will photograph the subjects I encounter. Usually, and especially with street photography, it is more a matter of tuning in to my surroundings and essentially hunting, conspiring to be in places where I think I might find interesting things, paying attention, and being ready to take advantage of whatever opportunities arise. On the other hand, I often do have some general ideas about the sorts of things that might interest me, and on my way to this morning on San Francisco streets I had specifically thought about a sort of image that might be black and white and which might use rather stark light a bit later in the morning — so when I saw this building on a corner near the train station I didn’t hesitate to photograph it.

What about the name of this photograph? It was simply a practical matter. I usually do not like to name photographs in ways that tell the viewer how to think of the photograph — most often I feel that if the photograph has anything to say to the viewer, the viewer should be allowed to figure that out from the visual content. (Yes, there are some exceptions.) So in this case the choice to use the words on the street sign near the right side of the frame was simply a practical decision… especially since I forgot to look for any other name on the building! However, I did wonder who Colin P. Kelley is/was. Most likely the street is named after a man known for being “one of the first American heroes of the war [who sacrificed] his own life to save his crew” in World War II. (There are lots of interesting little San Francisco streets with unusual and surprising naming histories like this.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.