Tag Archives: sierra

First Snow At First Light

First Snow At First Light
Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

First Snow At First Light. Eastern Sierra Nevada, California. October 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

On this early October morning I had a bit of time for photography before I had to start my drive back to the Bay Area. I had a plan to visit a somewhat lonely high spot from which I might have a view of aspen groves lit by dawn light, so I was up way before sunrise. I broke camp and headed out, driving some gravel roads to get to my destination and arriving before dawn. It was cold! This was the sort of autumn morning that makes it clear the summer is over and winter is coming. When I got up it was 27 degrees, but when I arrived at my destination it was 23. I put on lots of layers, got out of my vehicle, and set up my tripod and camera.

My initial subject was to be the aspens, and I began photographing them in the soft predawn light. A few minutes later the first direct sun hit the tall ridge of the Sierra crest above me and I turned my camera in that direction. As the light swept across ridges and gullies, there was a big contrast between the extremely warm colors of the rock lit by dawn sun and the deep blue light on the snow in the ravines. A day and a half earlier the first snow of October had dusted the Sierra crest. Looked at in a particular way, this photograph appears to me as an almost abstract pattern out of which the forms of the mountain resolve themselves only when I look more closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Early Evening

Aspens, Early Evening
Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

Aspens, Early Evening. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

I made my first Sierra Nevada autumn aspen trip earlier this week. (This wasn’t my first aspen hunt of the season, though — a week ago I went into Eastern Nevada to look for them, too.) I just had a couple of days this time, though I’ll be back there again before too long. I did a rather high-mileage trip for such a short visit. On Tuesday I traveled east from the Bay Area to cross the crest at Carson Pass. I headed south over Monitor Pass to get to US 395, and then I headed south to find a campsite in Bishop Canyon. It was an “interesting” weather day — I drove through light snow flurries on the upper portion of US 395, though it cleared once I got south of Mammoth Lakes. Aspen conditions? In short, color is changing in many places, though had only peaked in a very few, so there is plenty of color left to come.

People often ask, “Where is the best place to find aspen color?” (You may have heard — I wrote a book on the subject!) I think that the best answer is perhaps not to name one or another place but to consider how aspen color evolves each fall and the many potential places to look for it. A short answer is that you can head over just about any trans-Sierra pass from highway 80 south and keep your eyes peeled! In general, things tend to move from north to south and from high to low, so keep that in mind as you look. But right now, if you cross any of these passes and take a cruise up and down US 395, all you really need to do is keep your eyes open and be prepared to do a bit of investigating… and you are almost certain to be rewarded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Wildflowers, Granite Peaks

Meadow, Wildflowers, Granite Peaks
A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Meadow, Wildflowers, Granite Peaks. John Muir Wilderness, California. September 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Taking a little break from the Great Basin National Park photographs today, I’m sharing another from our late August and early September backcountry time in the John Muir Wilderness. To recap, we spent essentially nine days base-camped in one spectacular location, from which we could easily explore outwards in all directions — to the meadows surrounding the lake below our camp, further down the drainage where marshy areas were lush and green, a few hundred feet higher where a spectacular meadow full of flowers provided views of alpine peaks, and further up the canyon where we could want cross-country past the timber-line. All in all, it was the kind of location and circumstances that produce a landscape photographer’s paradise.

Near the conclusion of our visit, as happens on any such trip, I was realizing that I still had not gotten to certain obvious subjects. In my case, I hadn’t really spent as much time as I should have in the area right below our camp, where these green meadows wrapped around a small, subalpine lake. So on the first two days of September I focused on exploring this nearby area a bit more. The precise spot in this photograph was one I had first walked through a week before, on the day I completed the (slow!) hike up to this lake. I had walked up this meadow on a faint trail, not really knowing where our camp was and a bit concerned about finding it. Nonetheless, the intense green of the meadow (unusual for so late in the season) and the abundant wildflowers immediately caught my attention. There were many kinds of flowers in the meadow, but here you can see the beautiful paintbrush blossoms, and then the meadow holding the little lake, a bit of forest, and in the distance the high peaks across the canyon from us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Peaks, and Storm

Meadow, Peaks, and Storm
A storm gathers above an alpine meadow and beyond snow-capped peaks

Meadow, Peaks, and Storm. John Muir Wilderness, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A storm gathers above an alpine meadow and beyond snow-capped peaks

Not too long ago I posted another photograph made on this same afternoon, from roughly the same place, and featuring very similar subject. In that post I noted that I had made several photographs of this subject on this afternoon, and that I planned to share all of them eventually, perhaps with a bit of commentary concerning how each represented this subject in its own way. The general setting was a large, subalpine meadow surrounded by mountains and forest, and with expansive views across a nearby canyon to the high, rocky country on the far side. A large afternoon thunderstorm was building beyond the high ridge, but meanwhile the sun was bright at my locations. The primary elements of the scene included meadow, mountains, dark clouds, the small pond or tarn, and the nearby trees. There are many ways to “see” a subject photographically, and I tried several variations with this one.

I wanted to include the pond in the portion of the meadow in the photograph, but in this interpretation I decide not to put it in the center of the frame, but instead to have it off to the side, perhaps giving it a bit less presence in the scene. I wanted to include the small foreground trees to increase the sense of depth in the image and to ensure that there wasn’t empty space in the foreground. I framed the mountains this way so that I could place the dark peak in the middle, and envelop it in the higher peaks stretching back behind it. A remaining question was about how much sky in include. In another interpretation I included a lot of sky, placing the horizon near the center of the frame. Here I did what I more typically do, placing the horizon very high and including only a small strip of sky at the top. This draws attention to the landscape itself, and I was still able to include enough sky to make the dark thunder-storm clouds visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.