Tag Archives: sierra

Smoke-Shrouded Hills

Smoke-Shrouded Hills
Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

Smoke-Shrouded Hills. Near Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

I made this photograph on a special morning that didn’t initially seem all that special. The night before I had driven down into Lee Vining Canyon after dark, and I could see the glow of a new wildfire to the southeast. In the morning I left my camp in the canyon and headed east to see what I could see. I found a high overlook and soon saw a giant plume of rising smoke to the south and tendrils of smoke drifting north toward and over Mono Lake.

I spent a few minutes photographing the drifting smoke above the lake, but very soon the smoke became too thick. I had to find a location that was on that boundary between too much and too little smoke — enough to partially obscure the details of the landscape, but not so much as to render it invisible. I moved further north to another high elevation locations and photographed back into the Basin. But this point the lower elevations were largely filled with smoke, but here one tree-covered ridge emerges and rises toward the still blue sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Light on Granite Slabs

Light on Granite Slabs
First light reflects on smooth granite slabs, Yosemite Valley

Light on Granite Slabs. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

First light reflects on smooth granite slabs, Yosemite Valley

These smooth slabs of granite are at the base of Glacier Point, wrapping around it and roughly following the contours of the Merced River’s path as it rises toward Vernal and Nevada Falls and the High Sierra far beyond. I love large expanses of smooth granite, but the curving quality of this stretch is special and different from most other cliff faces in the Valley.

I had looked at this face the previous morning but did not photograph it, so on this second morning I headed straight out to a spot where I thought I might get a clear view as the first light come over higher ridges to the east and flowed across the granite. We can regard this as an interpretation of the scene, as the granite is perhaps not this dark — but brilliant sunlight reflections, enhanced by snow patches and melting water, made portions of the scene incredibly bright.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff, Trees, Snow

Cliff, Trees, Snow
A band of trees at the snowy base of the face of Half Dome

Cliff, Trees, Snow. Yosemite National Park, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A band of trees at the snowy base of the face of Half Dome

Very early on two late February mornings, I was up and out the door well before sunrise, walking though shallow snow and sub-twenty-degree air to a nearby meadow to photograph that start of the Yosemite Valley day. On both occasions, my main strategy was to look upwards toward the cliffs and use a long lens to pick out small scenes that might otherwise be missed in the immensity of the scene.

Eventually the sun came up and light broke over the upper rim of the Valley, gradually working its way down the steep walls, first on the north side and eventually on the south side where I was focusing my attention. But it would be a long time — probably noon at least — until the direct light made it to this spot at the base of Half Dome. The low contrast and blue tone of the light along with the banks of snow reinforces the frigid feeling of this scene, with a row of straight and tall trees managing to make a living on this ledge at the bottom of the giant face of the mountain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Shadow Line

The Shadow Line
The boundary between morning sunlight and shadow traverses granite slabs

The Shadow Line. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The boundary between morning sunlight and shadow traverses granite slabs

These slabs on the lower face of the Glacier Point apron always attract me, especially in the morning. I go way back with them — many years ago when I was, for a short time, a budding rock climber, we climbed on them, testing the limits of our trust in friction. Today, when I’m in this section of the Valley early in the morning, I always watch for the arrival of the first sun on the slopes.

I was in a cold meadow before sunrise on this winter morning. Soon the first light began to touch the cliffs along the north side of the Valley, and then trees along the upper rim near Glacier Point picked up the light. It worked its way slowly down the immense face, and the light final streamed through gaps behind Half Dome and slanted across this slope and revealed the cracks and scallops on the weathered granite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.