Tag Archives: sierra

Two Trees, Granite Face

Two Trees, Granite Face
Two trees, one very old and one very young, grow high on a granite face in Yosemite National Park

Two Trees, Granite Face. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Two trees, one very old and one very young, grow high on a granite face in Yosemite National Park

This tree grows high on the apparently barren face of a tall granite dome in Yosemite National Park’s high country. Of all of the improbably places to spot a tree, and one that seems reasonably healthy and strong at that, this has to be one of the most unlikely. Given its location, it must be putting its roots down in little more than a large crack in the rock and it has to be fully exposed to strong winter winds and snow.

I have photographed it more than once in the past, and it continues to intrigue me. For thinking that I know the tree well, I was surprised to find that I had not previously noticed the smaller tree growing just beyond and to the right of the main tree — perhaps the offspring of the larger tree? For a short time in the morning, low angle light streaming across the tops of more granite formations to the east glances across the surface of the dome and beautifully lights the two trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Photograph Exposed: One Subject, Two Compositions

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail. A companion article looks at post processing issues related to the same subject.)

Landscape photographs depend on many things: good fortune to be in the right place at the right time, experience that helps predict when and where to find “right place at the right time,” sensitivity and experience that help you recognize the potential in a scene, being able to think beyond the intrinsic beauty of a scene to consideration of how it might make a photograph, an intuitive sense of “what is right” visually, the ability to apply some objective thought on top of the intuition, and other things in a list that is too long to recount completely.

I would like to share some of the thinking that went into photographing one particular scene earlier this summer.

Island and Trees, Tuolumne River
“Island and Trees, Tuolumne River” — Trees grow on a small ,rocky island in the Tuolumne River, Yosemite National Park

Back in mid-July I experienced a special evening in the Tuolumne Meadows Sierra Nevada of Yosemite National Park. It was special for many reasons — some photographic and some not, but even the non-photographic reasons helped put my mind and my senses in the right place to make photographs. I had arrived and set up camp, taken care of camp chores, and finally headed out for late-afternoon and evening photography. I pulled off the road to take a look at a possible subject, and by remarkable coincidence found myself parked behind two good friends who were there for much the same reason. We joined forces and headed of to a nearby area that seemed promising. In an even more remarkable coincidence, partway there two more friends showed up, also there for the same purpose! Something about hiking off into a beautiful landscape with like-minded friends seems to heighten my awareness.

We followed the Tuolumne River and soon its angle of descent began to increase slightly as its channel narrowed and became more rocky.

Continue reading A Photograph Exposed: One Subject, Two Compositions

Timberline Meadow, Morning

Timberline Meadow, Morning
A small Sierra Nevada timberline meadow in morning light, surrounded by rocky alpine terrain

Timberline Meadow, Morning. Sequoia-Kings Canyon National Park, California. September 13, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small Sierra Nevada timberline meadow in morning light, surrounded by rocky alpine terrain

This photograph comes from a long visit to the Sierra back-country in September of 2013. A group of photographers made our way into the high backcountry of Kings Canyon National Park (with the help of pack animals) and set up there to make photographs in this 11,000+’ region for the better part of a week. We remained camped in one spot for the entire time. That might seem less exciting that moving on and covering more ground in the Sierra — and experience that I have also had. However, by remaining in one spot we were able to learn the personality of that specific little area much more deeply and to see it in various conditions: morning and evening, rain and fair weather, and more.

This is a humble little photograph — no towering peaks, building clouds, dramatic weather here. However, I got to know this little spot quite well during our visit. It was right “in the neighborhood,” and on a morning like this one I could roll out of my tent, lift my pack, walk uphill for five minutes or so, and be in this meadowy glade, filled with granite slabs and boulders and backed by rocky slopes leading to a nearby ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dawn Fog and Haze, Tuolumne Meadows

Dawn Fog and Haze, Tuolumne Meadows
Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

Dawn Fog and Haze, Tuolumne Meadows. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

I was up quite early on this morning, and with a plan to drive a bit to photograph a particular subject as it was struck by the first dawn light. In the dark I got dressed, crawled out of my tent, got in my vehicle, and quietly left the campground. Within a few hundred yards of the campground exit my plans changed. A low fog lay across almost the entirety of Tuolumne Meadows, shallow in places and deeper in others, partially obscuring trees and domes. In the pre-dawn light the quiet scene was one of very low contrast and not altogether interesting color, but I suspected that once the sun begin to come over the Sierra crest that it might strike the fog and create some interesting effects. So, out the window with the original plan, and now to see what I could make of my new plan.

I headed to the far end of the meadow where I figured that several potentially interesting things would happen. First, the fog was likely to be back-lit once the sun hit it. Second, I could shoot back across large sections of the fog-blanketed meadow and do so from a slight elevation. Third, I knew that I could position myself so that interesting ridges and trees might appear in the frame. In fact, it all worked out! As the sun rose high enough to illuminate the drifting fog, it began to rise and form more distinct patterns against the background of ascending ridges. I’m often somewhat surprised to find myself completely alone at this utterly beautiful times of day, when the sun is just coming up or when its last light is leaving the meadows. Tuolumne is an impressive place at any time, but it is often special in all sorts of ways during these beginning and ending of the day times. Yet most people, folks who I assume come here at least partially to seek out mountain beauty, miss out as they sleep in, linger over morning coffee, or head back to campfires before the day is over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.