Tag Archives: sky

Birds, Fog, Dawn

Birds, Fog, Dawn
Birds fly over foggy Central Valley wetlands at dawn on a winter day

Birds, Fog, Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Birds fly over foggy Central Valley wetlands at dawn on a winter day

It is only the last day of March… and I’m already missing these winter wetlands with fog and the sound of birds. These places are found up and down California’s Great Central Valley, and each has its own personality. I know I can find eagles at one, night herons at another, cranes at several of them, and huge flocks of Ross’s and snow geese and yet another.

In my view, the best days at these refuges begin before dawn. The air should be cold — at or just below freezing is about right — and there must be at least some fog in the air. I favor thick fog that gradually clears as the morning develops, though on this morning it was thinning even as the sunrise began. The raucous sounds of the birds — mostly geese and cranes — are everywhere, and here and there small groups take off and fly past. If a faint view of the High Sierra emerges, as in this photograph, it is even better.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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D8 Crane, Night

D8 Crane, Night
The D8 crane at night, Mare Island Naval Ship Yard

D8 Crane, Night. Mare Island Naval Ship Yard, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The D8 crane at night, Mare Island Naval Ship Yard

As all who photographer there know, these huge crane are among the primary iconic elements of the historic Mare Island Naval Ship Yard. Their size makes them visible from many places including the opposite shore in the town of Vallejo across the harbor. Their appearance is striking, especially at night, when their organic forms are usually lit from below, especially now that they are once again in use as part of a project to dismantle the ships of the old “ghost fleet” that was long moored near the Carquinez Bridge.

Their reactivation has created some photographic opportunities that were rarely available when I first began photographing at Mare Island a dozen or more years ago. Back then the cranes, which can be moved around the dry docks along a system or railway tracks, were often parked in inaccessible locations and seldom well-lit. But on this visit we found two of them had been moved out from behind the security fences and along a closed roadway. We were able to photograph them close-up and from a range of positions and angles. Each has a sort of personality. The closest one is bright yellow in the artificial light, while the further crane has a dark and weathered appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Utah Aspen Grove, Fall

Utah Aspen Grove, Fall
“Utah Aspen Grove, Fall” — A thin stand of autumn aspen trees, Dixie National Forest

This is another photograph of those beautiful, tall, nearly straight aspen trees — a growth pattern that I don’t see so often here in the California Sierra Nevada, but which is very common in Utah. These trees are probably near the end of their autumn color phase, even though I made the photograph near the beginning of October. It seems that the fall color comes a bit sooner here! (At higher elevations, almost all of the aspen color was already gone by the end of the first week of October.)

The photograph suggests several thoughts to me. First, that photographing aspens during so-called peak color is not the only option. The trees actually pass through a transition that can be photographed at almost any point, from the first hints of color, through the peak, and right on through to the time when few leaves are left. In fact, it may be possible to work the light a bit more later on. Second, while the early and late light is often best, it is possible to photograph this and other subjects during the main part of the day. I made this photograph in the afternoon as some high clouds passed overhead and softened the light. Finally, Utah’s public wild lands are under threat today, including from some misguided Utah legislators who seem to think that the profits of a small group of extraction industry corporations are more important than ensuring the protection of these features — to the extent that they are calling for reducing the area of existing national lands and the take-back of others. One group that works to protect such places is the Southern Utah Wilderness Alliance. Consider supporting their work.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandhill Cranes in Flight, Dawn

Sandhill Cranes in Flight, Dawn
Two sandhill cranes fly in dawn light

Sandhill Cranes in Flight, Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes fly in dawn light

I think that the sandhill cranes may have become my favorite birds in the California Central Valley wetlands. (OK, ask me again later — I may change my mind if I’ve just had a white pelican flyover or discovered a surprise group of tundra swans or photographed a bald eagle, or… ;-) On my first visit to the wetlands, the result of a set of coincidences that I’ve described before, I was completely ignorant about what I was seeing. There were lots of birds, but heck if I knew what they were. Then I became entranced by the Ross’s and snow geese, with the white bodies and black-tipped wings in huge flocks. I photographed this pair in lucky conditions — on a morning that was foggy nearby it cleared enough right here to let the sunrise light strike these birds as they flew above my position.

I saw the cranes, but they seemed on those first visits to be less interesting birds. Their color is less striking. (Though the brilliant red of their heads is attention-getting.) While they flock together, their numbers are typically smaller than those of the geese. But the pump had already been primed for potential interest in the cranes, all the way back in college when I read (but didn’t really fully understand) Aldo Leopold’s Sand County Almanac. The main thing I recalled about that book, for some reason, was the sandhill cranes. (And if this isn’t an example of how a college experience that seemed to mean little at the time planted a seed that sprouted later, I don’t know what is.) In recent years, the more time I spent in the wetlands the more the cranes became central to the experience. In fact, their cries are my primary auditory association with these places, both when heard from birds flying invisibly in the early morning tule fog and the mass returns of these noble birds after sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.