Tag Archives: sky

Dunes and Sky

Dunes and Sky
Morning light and clouds, sand dunes, Death Valley National Park

Dunes and Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light and clouds, sand dunes, Death Valley National Park

For photographers (and probably for others, too) sand dunes are a source of endless fascination. There is always something interesting, from the smallest scale (footprints of insects?) to the largest, all-compassing landscape. None of this is ever the same twice except in the most general ways. While the general configuration remains from year to year, the specific details change quickly, sometimes as you watch. And because the sand itself is a fairly neutral subject, the effects of light — its angles and qualities and colors — play out in unending ways on the dunes.

As is typical, we had wandered out amongst the dunes before sunrise, beginning to photograph in predawn light and then moving to larger landscape subjects as the first pink sunlight struck distant desert mountains. Before long the sun was up and the light began to lose the early hour color. This can make the scene extremely stark and harsh, but on this morning high clouds muted its intensity and we continued to photograph. I had a vague idea of a photograph combining dune textures and sky in a mostly abstract form, and this area of the dunes provided a subject that fit that concept.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Valley and Mountains

Panamint Valley and Mountains
Looking into Panamint Valley and toward the Panamint Mountain Range

Panamint Valley and Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking into Panamint Valley and toward the Panamint Mountain Range

When most people think of Death Valley they probably think of incredibly hot desert conditions. Those conditions are real, and are among the reasons that I do not visit the place during the warmer times of the year. But the conditions are quite a bit more varied than that reputation would suggest. I have been snowed on in Death Valley — on one memorable occasion photographic desert wildflowers in a snow storm! — and I have encountered temperatures ranging from over 100 degrees to below freezing. The variations are related to seasons (there are some very cold places here in the winter!) and to elevation, which ranges from below sea level to over 11,000′.

This photograph captures a range of those conditions in one image. It was a pleasantly warm, though cloudy, day as I left the park. The winds were howling down below in Panamint Valley, where a dust storm was beginning to kick up. Winter snow was still thick on the highest peaks of the Panamint range, and an incoming storm was developing and promising more precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Urban Fishermen, Dusk, San Francisco Bay

Urban Fishermen, Dusk, San Francisco Bay
A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

Urban Fishermen, Dusk, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

During the last weekend of April I joined a group of fellow street photography and night photography enthusiasts in San Francisco. We met up for dinner in the Chinatown district, and afterwards we wandered down to the Embarcadero and the waterfront, busy with tourists at this time of year. Ultimately we ended up in a spot very popular with such folks, a pier the affords walking access to the waters of the bay. I spent perhaps a half hour out there photographing: people, the bay, passing ships and boats, the City skyline.

These urban fisherman are a regular part of the San Francisco urban scene and they represent a sort of intersection between the human and the natural worlds. They are everywhere along the City’s waterfront, and often are fishing within earshot and “eyeshot” of the busy urban scene. Stop and think about what this means and there is a lot to ponder. Even in a busy and fast-paced place like San Fransisco, it is possible to walk a few feet and find yourself standing quietly above the bay in dusk, perhaps with a few friends — one way to help maintain sanity in the urban world. These guys appeared to be finishing up for the evening and were simply standing around and talking as they packed up and as tourists stopped to watch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.