Tag Archives: small

Young Trees, Dark Forest

Young Trees, Dark Forest Young Trees, Dark Forest
Small, young trees growing at the end of a dark and dense forest

Young Trees, Dark Forest. © Copyright 2019 G Dan Mitchell – all rights reserved.

Small, young trees growing at the end of a dark and dense forest.

After decades of hiking, camping, backpacking, photographing, skiing, (and in an earlier life occasionally climbing) all over the Sierra, there are odd little unexpected places that have some personal significance to me. In a few cases they are associated with a specific, memorable — there are several, for example, for each of my “kids.” (The “kids” are now all grown, but i remember!) Others connect to travels with backcountry friends or to events that occur there. In some cases, the development of a connection seems to be almost random, and there is nothing at all that points to them in any particularly objective way.

This is one of those latter spots. It isn’t far from a road, and I’ve always been attracted to the views for a mile or two on either side of the spot. But this place? There’s barely a turnout along the road. There is a narrow strip of meadow that runs quickly into thick, high-elevation forest, and it usually has a dark and impenetrable appearance. Logically I know what is beyond it, but it never quite feels like I do. And every year, more than once, I stop again and look at it and perhaps make a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Grove, White Trunks

Aspen Grove, White Trunks
A dense stand of small, nearly leafless aspen trees with white trunks

Aspen Grove, White Trunks. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Tarn, and Trees

Meadow, Tarn, and Trees
Small trees near timberline grow in a meadow surrounding a subalpine tarn

Meadow, Tarn, and Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

Small trees near timberline grow in a meadow surrounding a subalpine tarn

In the Sierra Nevada photographers are nearly always grateful for clouds. There is a reason that these mountains are referred to as the “range of light” — there is a lot of light! In the summer months we often experience many days of perfect blue skies, often without a single cloud in sight, at least if you don’t include jet contrails from the many routes passing above the range. Clouds play a small part in this photograph, but I think they make a difference.

I made the photograph very near Tioga Pass, along the Sierra crest. I rarely photograph in this specific spot since it can be busy place and it is a bit overdone. (I have plenty of work in my archives that I have photographed from right around here.) But on this day the late light, as the sun was just about to pass behind the tall ridge to the west, was both warm and softened by the clearing overcast. So I stopped and wandered briefly into this intimate landscape of trees, meadow, and tarn.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwoods Great And Small

Redwoods Great And Small
Dense Northern California redwood forest containing both old-growth and young trees

Redwoods Great And Small. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dense Northern California redwood forest containing both old-growth and young trees

I’ve lived on the fringes of California’s coastal redwoods ever since my family moved to the state when I was four-years-old. For years we did weekend trips to places like Big Basin Redwoods State Park, often hiking through the trees and beyond. So I have always been familiar with these extraordinarily tall trees and with the special forests they inhabit. However, it wasn’t until much later that I understood how truly rare the original old-growth forests are. I recently read that only 5% of the original forest was left mostly untouched — meaning that 95% of the trees (19 out of 20!) were cut down during a fairly short period, mostly in the 20th century. This was an astounding example of where greed can push humankind, and we can reasonably imagine that without intervention all of the old-growth forests would have been lost forever. If that greed had gotten its way, you would have to reimagine scenes like this one with only the slender trees on the right, because certain parties would have cut up every accessible tree like the one on the left.

Today it seems bizarre to recall the strong objections to saving these remnants back when the Redwood National Park was first proposed. Even conserving parts of the last 5% of the ancient forests seemed to be a bridge to far for interests blinded by their long-term investments in a nearly depleted natural resource, and they fought bitterly against that parks. There are several lessons in this. This was not isolated resistance to conservation — it has been the pattern with the creation of essentially all of our great American parks and other efforts to protect wilderness and natural areas. There are [i]always[/i] a few very loud voices shrieking that the protection of a few last remnants of America’s great landscape will ruin their economy. (Witness the Utah minority today working to undo national monuments.) However, now that our park system is well over a century old, it is plainly obvious that virtually every single protected area is regarded as a treasure and virtually no sane person would argue that we did the wrong thing by protecting them.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.