Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The tiny branch and incipient flowers of a California plant.
Readers and viewers have probably figured out by now that I’m anything but an expert on plant identification. I often recognize a plant from experience, know where and how it grows… and have little or no idea what it is called. There are some exceptions, and I’m not entirely unable to name familiar plants. But I do — as some recently noticed — still sometimes get it entirely wrong. All of this is an introduction to saying that I have no idea at all what this very small plant actually is.
Yet, I was intrigued by it. With a macro lens I could get close enough to reveal some details that would otherwise be easy to miss, including the subtle magenta shading of the buds. I made the photograph very late in the day as I was returning from a hike in Bay Area hills.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.
This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.
I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
On a day of quiet seas, a small wave crosses a kelp bed along the California coast.
My recent photographs from Point Lobos have mostly used the grand landscape as the subject, focusing on central subjects set in expansive surroundings. If you are familiar with those locations you might have been able to identify the specific places where I photographed, and you might have recognized the actual subjects of the images. This is not one of those photographs.
This photograph could be from any of an uncounted number of places along the coast of California — or any other coastal zone for that matter. I think this photograph can work in at least two ways. On one level it is a “capture” of a real thing that happens in these places: we see the submerged sand and kelp through clear water, while the more turbulent water that follows the little wave reflects more sky color. But I like the fact that it also woks as an abstraction of shape, color, and form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
