Tag Archives: small

Solitary Aspen, Dark Forest

Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwood Trees and Red Rock Cliffs

Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bridgeport, Autumn Sky

Bridgeport, Autumn Sky
Clouds from an autumn weather front build a above Bridgeport, California.

Bridgeport, Autumn Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Clouds from an autumn weather front build a above Bridgeport, California.

For those who aren’t from my part of the American West, it is probably important to state up front that this is “the other Bridgeport,” the one in the dry eastern part of California. The town is located in a broad valley at the base of the Sierra Nevada, more or less northeast of Yosemite National Park. The valley is full of cattle grazing in its extensive pasture lands that somehow escaped the clutches of the historic Los Angeles water rights grabs in the eastern Sierra. In addition to cattle, the places relies a lot on campers, anglers, backpackers and other visitors to the outdoors — though in a more laid-back, old-school manner of places a bit off the beaten track. Oh, it is also known for being (at least in my experience) one of the two or three most expensive places in the state to buy gas for your vehicle.

To those of us who live in far more urbanized areas — for me, that is the San Francisco Bay Area — places like this have a bit of an appealing raw edge, a sense that they are closer to the cycles of the natural world and, to some extent, dominated by them. On a day like this one, when the clouds of a Pacific weather front fill the sky, the town itself seems quite small in relationship to the landscape that surrounds it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tufa Field, Dawn

Tufa Field, Dawn
First dawn light on a field of short tufa formations.

Tufa Field, Dawn. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on a field of short tufa formations.

One of the great privileges about photographing landscapes is that I get to wake up way before dawn so that I can be in place before the sun rises. No, really. Like many of you, I used to dread the idea of getting up in the dark, and I could not fathom how anyone could actually want to do this. But even though I’ll admit that the sound of an alarm at, say, 3:30AM is not something I look forward to, at least I now understand that there are rewards that make it worthwhile. Such as standing alone in an immense, silent space as the first light creeps over mountains to the east.

Tufa, from I’ve come to understand, comes in quite a variety of shapes and sizes. There some well-known tufa structures that have been photographed lots of times not far from here, and I’ve photographed those, too. I have gotten to know some absolutely huge tufa formations in desert areas around Death Valley. (If you were familiar with only the first one I mentioned above, you might not even recognize the second as an example of the same thing.)These very small tufa structures embody yet another form of this stuff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.