Tag Archives: southwest

Canyon Reflections, Utah

Canyon Reflections, Utah - Reflections in the surface of a slot canyon stream, Utah
Reflections in the surface of a slot canyon stream, Utah

Canyon Reflections, Utah. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Reflections in the surface of a slot canyon stream, Utah

Among photographers that I know, finding ways to photograph the surface of flowing river and creek water is almost a bit of a game or even an obsession. There is something very appealing about either stopping the motion of the water, or about using longer shutter speeds to let the water blur, revealing the smooth patterns of flowing water and the interesting colorations that we can otherwise easily overlook. People I know seem to have developed their own little idiosyncratic tricks for working with this subject – special shutter speeds, an eye for particular types of reflections, and so forth.

The Utah canyons are a prime place to look for interesting reflection patterns, at least in those canyons in which the water is flowing. This narrow desert canyon contained a small, burbling steam – just enough water to be interesting and dampen boots and pants legs, but not so much as to impede progress up the canyon or make shooting difficult. The trick is to look beyond the apparent surface of the water and instead learn to look for and see the reflections instead. Part of this is looking for interesting flow and ripple patterns, such as the bit of faster moving water moving diagonally across the frame in this image. Another part is to anticipate and then find sources of reflected colored light. This photograph includes several: blue from overhead sky visible above the center of the canyon, purple and burgundy from shaded cliff faces, intense orange reflected from sunlit sandstone, and bright yellow-green from cottonwood and box elder trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Arch in Morning Light

Broken Bow Arch, Morning - Morning light on Broken Bow Arch, Grand Staircase-Escalante National Monumnet
Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

Arch in Morning Light. Grand Staircase-Escalante National Monument, Utah. October 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on a backcountry arch, Grand Staircase-Escalante National Monument

In a land of many arches… this is another one. :-) I’ve come to understand that natural arches and natural bridges, which still seem miraculous to me when I see them and think about how they form, turn out to be almost absurdly common features in the American Southwest. My first exposure was, not surprisingly, at Arches National Monument, where there are more of them than you might believe if you did not see them with your own eyes. They seem to come in all forms and sizes: impossibly slender and long, small and delicate, big and blocky, towering above the surrounding terrain, invisible unless you happen to look the right direction in the right light, short and stubby, and seemingly infinite additional variations.

Since my first acquaintance with the more famous specimens at Arches National Park, I have had the opportunity to see a few others in less accessible locations. This one required a long and convoluted hike through terrain that held its own attractions apart from the arch – in fact, I had almost forgotten about the arch when we reached it. The photograph is from a high point near the arch – on the opposite side from our approach – and from the shady side of the feature at this time of day. From many vantage points it stands a bit too much against the sky, which did not seem to me to be the most attractive background. From this spot it was possible to find a camera position where the sky was out of the frame, and this allows the shape and texture of the arch to be seen in the light reflected from nearby walls.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Balanced Rock and Cliff, Sunrise

Balanced Rock and Cliff, Sunrise - Dawn light on Balanced Rock and cliff face, Arches National Park
Dawn light on Balanced Rock and cliff face, Arches National Park

Balanced Rock and Cliff, Sunrise. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light on Balanced Rock and cliff face, Arches National Park

When I first visited Utah for photography, only in April of this year, I think that Arches National Park probably provoked the most serious “wow” response from me. I loved each of the parks we visited in different way, but the first-impression of Arches was, for me, stunning. It probably helped that I had more or less intentionally done no research on the place before our arrival. It also helped that my first view of the park was on a spontaneous golden-hour drive into the park from Moab late in the day, when we found ourselves with more time after arriving than we had planned on. I was stunned to see what seem to be essentially impossible formations throughout the park – the arches themselves, of course, but also the tall thin towers, long and narrow fins of sandstone, large rocks balancing on pedestals, and more.

On the second visit, this fall, I was still impressed by these amazing formation, but I also began to look past them a bit more and start to see a few of the subtle things that are there as well, and to begin to understand a few of the patterns of the place – where and when certain types of special light or atmosphere might occur. On this morning I had returned to re-shoot something that had not worked out quite the way I planned on the previous visit. Having completed that task, we moved on up the road, looking for other opportunities, of which there were many. Here, as we passed one of the large towers in the Courthouse area, I saw a photograph that juxtaposed several things: the silhouetted shape of the balanced rock on the far ridge, the brilliant morning sidelight on the nearby sandstone tower, and the early morning sun slanting across the petrified dunes area, picking up the higher points on the terrain.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Morning Light

Clearing Storm, Morning Light - Clearing storm clouds and morning light on sandstone towers, Zion National Park
Clearing storm clouds and morning light on sandstone towers, Zion National Park

Clearing Storm, Morning Light. Zion National Park, Utah. October 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clearing storm clouds and morning light on sandstone towers, Zion National Park

We had arrived in Zion the day before, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there including the still-wet upper elevation areas of Zion. On this morning we got up relatively early so that we could be on one of the first shuttles up into the canyon, and the day began with sun coming through breaks in the remaining clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light up my subjects, which are often found in the shade. Clouds can produce too much shade and move the color balance away from the warm tones of daylight and toward the dark and blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially if they are moving and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the Valley’s walls and spires, alternately revealing and hiding bits of the cliffs. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we quickly hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.