Tag Archives: southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Landscape

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Sandstone Landscape
The sandstone landscape of Arches National Park in hazy morning light.

Sandstone Landscape. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sandstone landscape of Arches National Park in hazy morning light.

There aren’t really any obvious landscape icons in this photograph, but it felt to me like it captured something characteristic of the broader landscape of Arches National Park. Made on a hazy October morning, there were some rather impressive towers behind me as I made the photograph, but much of what was in front was muted by the haze. There is one of the ubiquitous fins, some sunlit foreground dry grass and brush, a plateau covered with rounded sandstone formations, and in the distance a landscape that includes the canyon of the Colorado River.

I am particularly intrigued by landscapes such as that seen just beyond the fin, where low, rounded sandstone formations cover the ground. From a distance they are not very imposing, but up close such places are full of things to sustain the interest if you can take the time to wander in such intimate landscapes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Detail

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Red Rock Detail
A section of sandstone cliff, Arches National Park.

Red Rock Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

A section of sandstone cliff, Arches National Park.

There is a story about my first visit to Arches National Park that we like to recount. (Perhaps you have heard it?) It derives from a habit of mine of not doing too much research before visiting a new location — I prefer to let some things remain a mystery so that I can have the joy of “discovering” the place for myself. That was the case on our first visit to Arches. I really didn’t know anything more than that there were (duh!) some archest there and that it was a national park. We arrived in Moab in the early afternoon, and finding ourselves with more time that day than expected we decided to make a quick first visit. A reliable source reports that I pretty much lost my composure upon “discovering” this collection of towers, arches, cliffs, and more.

This photograph comes from our second visit, a few years later and during a different season. By now we knew a bit more about what to expect, and I arranged to be in a particular spot early in the morning with the prospect of photographing dawn light on sandstone features. I made quite a few photographs that morning, but this one is an example of my interest in using long lenses to photograph small details of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper, Sandstone Cliff

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Juniper, Sandstone Cliff
An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

Juniper, Sandstone Cliff. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

As I recall it now, quite a few years later, this tree stands on a rise at the base of a large section of sandstone cliff in a place where a canyon makes a sharp bend. It is not a particularly remote or obscure spot, but the cliff is remarkable in terms of the late-day lighting and the patterns on the surface of the rock. The lighting was special — and challenging! — because the section of the canyon is aligned such that little direct light gets there. This means that much of the light is either from the very blue sky or reflected from very red cliffs, creating some almost otherworldly color effects.

My recollection is also that I found it a little complicated to get the compositions I was looking for here. I remember it as one of those places that is remarkable but which doesn’t necessarily present easy photographs. My archive of raw files supports this — I see a variety of different attempts at the subject, and each of them grappled with issues of juxtaposition and with objects that interfered with the composition. In fact, this version of the scene works because I found a different approach to cropping it that managed to eliminate one of this distractions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.