Tag Archives: southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

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White Rim, Evening - Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.
Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

White Rim, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

The Organ and The Tower of Babel

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The Organ and the Tower of Babel - The Organ and Courthouse Towers in early morning light, Arches National Park, Utah.
The Organ and The Tower of Babel in early morning light, Arches National Park, Utah.

The Organ and the Tower of Babel. Arches National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Organ and The Tower of Babel in early morning light, Arches National Park, Utah.

We had arrived in Moab, Utah the previous afternoon, and a quick reconnaissance into the Arches National Park in the early evening had impressed me quite a bit, to say the least! This was my first visit to Arches, and I had only a very general idea of what I might see, so coming upon the fantastic sandstone formations – towers, walls, fins, arches, and more – for the first time was a powerful experience. That evening I had a short time to photograph in conditions that were mixed – very nice light but tremendously strong winds that challenged my ability to use a long lens to pick out small sections of the landscape… and my ability to stay warm! In any case, the brief initial visit was enough to give me some ideas of what I might want to photograph early the next morning.

I was up early and into the park before sunrise the next day. Once again, it was cold – colder, actually – and very windy. I’m often fond of photographing big landscapes with long lenses that let me isolate elements from the larger scene and compress the distances, and I wanted to use that approach with some of the formations close to the “Park Avenue” and Courthouse Towers area of the park. With this in mind I stopped a an exposed spot that gave me a view of a number of these features, put on the long lens, set up the tripod… and then struggled with the tremendously windy conditions as the very beautiful light appeared. It was do-able, but not easy. This photograph includes the very early morning light on the faces of The Organ and the Tower of Babel, two huge sandstone fin-like sandstone towers, with high desert, a thin row of cottonwood trees, and more gigantic sandstone cliffs beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Tamarisk

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Autumn Tamarisk - Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument
Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument

Autumn Tamarisk. Grand Staircase-Escalante National Monument, Utah. October 24.2012.© Copyright 2012 G Dan Mitchell – all rights reserved.

Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument

I photographed these tamarisk plants with autumn colors on a cold and extremely windy day in the Grand Staircase-Escalante National Monument – most likely, if memory serves, during a brief lull in the wind. It was a beautiful and invigorating day – but certainly not one that was conducive to photographing autumn foliage! We did spend the better part of the day in this canyon, but the wind increased and by the end of our work it was almost strong enough to occasionally stop us in our tracks on the hike out… and then it started to rain!

Tamarisk plants can offer some of the most varied colors of almost any plant, though they are often overlooked because they can easily look drab, especially in daytime light, and because their form is not classically tree-like. But depending on the season and the lighting they can have almost every color imaginable: reds yellow, purple, blue, tan, green. This small group of plants was, obviously, sporting brilliant autumn colors. But, in addition, it was lit by the reflected glow of warm colored light coming from a nearby cliff face in full sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Mount Conness

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Alpenglow, Mount Conness
Alpenglow, Mount Conness

Alpenglow, Mount Conness. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

The last evening light illuminates domes near Tenaya Lake and the summit of Mount Conness with briilliantly colorful alpenglow, Yosemite National Park.

The tall peak at upper left is the summit of Mount Conness, one of the highest peaks in Yosemite National Park. The peak is located on the park boundary and the Sierra Nevada crest a bit north of Tioga Pass, and is visible from many places in the Tuolumne/Tioga high country. It is also a popular destination for peak baggers. The left foreground granite dome is the lower face of Polly Dome, which drops to the shoreline of Tenaya Lake. The left slope of Pywiak dome is visible in the shadows at lower right and beyond is the more brightly illuminated Medlicott dome.

I forgive you if you don’t believe the colors that you see in this photograph. I barely believe them myself, and I was (obviously!) there for the show. What happened on this evening was a near perfect example of a light phenomenon that Sierra photographers watch for and are occasionally lucky enough to experience. I have learned to see the signs that indicate that this light is possible, but also to understand that even when the conditions offer this potential that they rarely deliver.

On certain cloudy evenings in the Sierra it appears that there will be no sunset color – everything is hazy and drab and washed out. But if things play out just right, this very set of drab conditions (that induce some photographers to put away their gear too soon!) can produce some of the most striking and intense color possible if a few things fall into place just right. On this evening I had stopped for a moment at Olmsted Point, thinking to photograph ice-covered Tenaya Lake with a long lens and including the mass of Mount Conness in the distance. When I arrived there, things were about as unpromising as they could possibly be. A dull, greenish-blue haze hung in the air, overcast washed out the light, and Conness was obscured by clouds. I had actually put my gear back in the car when I looked back up and noticed that the summit of Conness had briefly poked through the clouds, accentuating its bulk and the sense that it towered over the foreground mountains. The light was still awful (I have the photos to prove it! ;-) but I thought I’d see if I could get something with the peak emerging from its shroud.

But still nothing much happened. I turned the camera to photograph some nearby trees and a blackbird that was looking for snacks. Then I noticed that there was some brighter light to the southwest and I began to consider the possibility that the cloud cover might end a bit to the west – and that is requirement #1 for the light conditions I’m describing. If the cloud deck ends to the west, as the sun reaches the horizon it may briefly break under the clouds and send brilliantly colorful light up into the clouds in the Sierra from below, creating a miles-wide light panel of the most astonishing colors. But still, it was hazy and the peaks were shrouded in clouds. But then I noticed that the clouds around Conness were beginning to drift off to the east and thin a bit. I mentioned (knock on wood!) to one of the other photographers that there was a possibility of “miracle light,” but that I wasn’t making any promises!

Then the thinning clouds began to pick up a slight pink tinge and the left side of Conness began to get some light directly from the west. Then, within a minute or so, the colors went absolutely crazy. People around me were audibly gasping as the color changed. At one point several of us spontaneously looked up to the west when we noticed the light suddenly increase out of the corners of our eyes. At the same time, the clouds almost completely dissipated from the area around the peak and because the whole sky was filled with brilliantly colorful clouds, this light began to suffuse even the depths of the canyon and slopes facing away from the sunset with this amazing light.

Never put your camera away until the last light is gone. :-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.