Tag Archives: staircase

Fall Color, River Canyon

Fall Color, River Canyon
Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

Fall Color, River Canyon. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

I made this photograph a few years back on a beautiful autumn day when a small group of friends walked down a river canyon, exploring and photographing the river, the vegetation, and the rocky walls. Direct sunlight does not reach the bottom of these canyons most of the time, especially during the times of the year when the sun’s path is lower in the sky and the daylight hours are shorter. Instead, the light strikes the upper walls, bouncing back and forth, diffusing and picking up the color of rocks and fall leaves as it makes its way downwards. If you look, you can see it in this photograph — in the glow on the canyon wall, the saturated colors of the leaves, and the light making its way into shadows.

Such canyons are wonderful places to go if you want to be cut off from the rest of the world. The landscape above the canyons is often relatively bare, perhaps dry and flat with occasional junipers. But none of that flat land world is visible once you are down in the canyon, where cottonwoods and brush spring up along the creek and every bend promises something new an interesting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Large Cottonwood Tree, Side Canyon

Large Cottonwood Tree, Side Canyon
“Large Cottonwood Tree, Side Canyon” — A large cottonwood tree with fall colors in front of sandstone walls and a side canyon

During a bit of hard drive housekeeping this week I found a folder full of files from a Utah visit in 2012. Because I have a hard drive that is about to fill, I’ve been looking for unused and unneeded files that invariably get left behind after work on various projects — you know, the files that I “just might want to keep around, just in case.” I think that the batch in this folder were transferred from my laptop, and they are most likely files that I worked on quickly in the field and planned to update on my desktop computer later. My first thought was that I’d just delete the folder, but then I looked more closely and found several files that I want to keep.

This is one of the keepers. Although I hadn’t thought if it for quite a while, I now recall this little canyon junction quite distinctly, a place were a smaller side canyon dropped down into the larger canyon through which we walked. Scale is hard to judge against this landscape, but the old cottonwood is very large, especially for one in the base of a narrow canyon. This photograph reminds me of something else, too — I need to get back to these canyons!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Staircase, Window, and Shadows

Staircase, Window, and Shadows
Shadows from artificial light amplify the forms of a staircase at Mare Island.

Staircase, Window, and Shadows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from artificial light amplify the forms of a staircase at Mare Island.

I made this photograph in an area that was actually so dark that I could barely see the subject — a long exposure and a higher ISO made the photograph possible and allow the camera to see what I cannot. I could see well enough to know that there were some unusual and interesting shadow patterns, including the organic shaped shadows of nearby trees and the angular shadows duplicating the lines of the stairway railings.

With a dark subject like this the first challenge is to make a composition out of things I can barely see. The broad outlines are visible, but it was not easy to see details… and focusing can be a major issue. (I have a bag of tricks for this. One technique is to simply shine a brighter light into the scene and focus on the lit area. An alternative if the subject is further way is to place the light inside the frame, focus on it, and then remove it for the exposure.) This whole area was just a bit spooky. I got to it by ascending a dark stairway and then walking across what seemed like it may have been an abandoned parking terrace that was littered with construction (or destruction?) debris.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stairs and Green Windows, Night

Stairs and Green Windows, Night
Stairs and Green Windows, Night

Stairs and Green Windows, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

An industrial building with green windows and a shadow-casting staircase, Mare Island Naval Ship Yard

The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. More recently there have been changes to the area lighting on the island. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) While I have to agree with the goal of increased energy efficiency, many of us mourn the loss of those old, colorful light sources. The LEDs can produce light that looks almost like daylight in some situations!

The first thing that brought me to the general area of this photograph was a pool of bright light in front of it that I saw coming from a very bright light across the roadway. As I approached I saw the interesting old external staircase, a subject that I often find interesting at Mare Island, and the complex pattern of shadows cast by the lights. I’m also a fan of the many large banks of windows in the buildings on the island. I’ve always assumed that the construction must have included so much glass so as to provide better interior light for these very large shop buildings. These windows are somewhat opaque, perhaps at least partially from age, and the lighter objects inside are only seen faintly through the glass.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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