Today I’m changing things up a bit and posting a photograph that is not at all like what I typically share. The photograph comes from a project I worked on over the course of three years, during which time I was “embedded” with a couple of professional classical music groups, a symphony orchestra and a chamber orchestra. It was a special and, I think, unusual experience. Lots of people photograph musicians, but I was able to hang out backstage and photograph the parts of musicians’ work and lives that you don’t see from the stage.
In the photograph is the score to one of composer Kurt Weill’s compositions. Because I had fairly free rein to photograph almost anything I was able to wander onto the stage during breaks and photograph vignettes containing items associated with the work of the musicians. A musical score is a completely remarkable thing. It uses a written language that most do not understand, and it notates not text (for the most part) but instead indicates pitches, dynamics, techniques, rhythm, and more — yet it leaves a lot to the interpretation of the musicians individually and collectively. The conductor’s score contains a remarkable density of information. I used to keep a print of two pages of a score by Ravel on my office wall, and it never ceased to amaze me that those two pages, with hundreds of notes and other indications, contained only a few seconds of sound.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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