Tag Archives: stand

Photographs: Nature, Photographs: Wildlife

Great Blue Heron

Image February 7, 2019 G Dan Mitchell Leave a comment

A great blue heron standing in a winter pasture.

Great Blue Herons are soloists — I virtually never seem them in groups, with only one strange exception. Both herons and egrets are closely related, and I recall being surprised a few years ago to encounter bird pairs consisting of a great blue heron and a great egret. I particularly remember watching one such pair land and then fly off together.

But this one was definitely alone. Earlier in the season I had seen few great blue herons, but by this point I was beginning to spot more of them, and I had already encountered several on the day I photographed this one — including one memorable critter that flew back and forth in front of me several times, gliding above a shallow bond. The bird in the photograph stood alone in a large pasture that was beginning to green up after winter rains. Up close they are remarkable birds, and their attentiveness to surroundings becomes apparent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove, White Trunks

Image October 21, 2018 G Dan Mitchell Leave a comment

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Austria, Photographs: Night, Photographs: Travel, Photographs: Urban/Street

Wiener Würstl

Image October 19, 2018 G Dan Mitchell Leave a comment

I made this photograph on a late-August evening in Vienna. We had just returned from dinner, perhaps a bit early, and I realized that I had just enough time to head out and do some night street photography in the crowded nearby streets… which were absolutely filled with pedestrians. There was a lot to see and photograph — a nearby cathedral, shops and cafes, pedicabs, people passing by. As I neared the completion of my looping walk I passed a couple of the ubiquitous “würstl” stands, which seem to collect people in their circle of light.

This photograph is part of a genre that I’ve been pursuing for the past few years — handheld night street photography. It was just a few years ago that I realized that small contemporary digital cameras are now good enough in very low light that I can photograph street scenes using only available light, especially if I seek out sources of light such as this. I’ve been doing night photography for more than fifteen years, and I’m part of a collective of San Francisco Bay Area night photographs known as Studio Nocturne. As it turns out, we’re in the middle of our “fall season” right now, with several events coming up right away.

For more than 15 years we have exhibited every fall as part of the San Francisco ArtSpan Open Studio Event. This year our “open studio” is at ARCH Supplies in San Francisco. Our opening preview and artist reception is on Friday, October 26 at 6:30-9:00PM. Our exhibit and sale continues on Saturday and Sunday, October 27 & 28, from 11:00AM-6:00PM.

Studio Nocturne 2018 ArtSpan Open Studio October 26-28

We’re also doing a San Francisco ArtSpan Open Studio “hub show” mini-exhibit at Farley’s Coffee in San Francisco all month, with a public reception this Friday, October 19 at 6:30PM-8:30PM.

Studio Nocturne 2018 Hub Show at Farley's Coffee — Studio Nocturne 2018 Hub Show at Farley’s Coffee

Why don’t you join us at one or both of these events? We look forward to seeing you!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: England, Photographs: Urban/Street

Woman In Orange Skirt

Image September 19, 2018 G Dan Mitchell Leave a comment

A woman stands on a London corner next to a pub

We were only in London for a short time on this trip. We’ve visited there several times in the past, and with the last two visits adding up to about two weeks we wanted to save our time for other places later in the trip that were going to be new to us. If that was the case, why stop there at all? The reasons were mostly practical — less expensive flights to London, an easy place to catch a train to our next stop in the Netherlands. But we also wanted to do a couple of specific things while we were there — catch one of the Proms concerts and visit a particular pub.

I don’t recall at the moment precisely where I made this photograph. I suppose I could figure it out by reviewing the photographs before and after and then consulting a map. But I’m not sure it matters too much. The surrounds look fairly typical of central London, aside from the momentary lack of lots of other people. It was the woman’s orange skirt that first caught my attention — it stood out in this scene that otherwise mostly consists of somewhat muted tones.