Tag Archives: stock

Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley
Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn morning light and clouds above the valley of the Fremont River

Technically this location is actually just outside of Capitol Reef National Park, but its close enough. The plan on this morning was to make a journey down the east side of the park to a somewhat more remote area, so we started out rather early. After passing through the park and starting the drive to our eventual destination we quickly realized that a fairly unusual and spectacular sunrise was underway, so we found the first available location from which to take advantage of the situation.

This was most definitely not a blah blue sky morning! A variety of clouds filled a good portion of the sky in several directions, though light was able to pass through gaps in the clouds to the east. Above the peaks of Capitol Reef to the west the sky was generally darkened by high clouds that briefly took on rosy dawn colors before fading. To the north were lenticular clouds, some lined up in formations that reminded me of California’s “Sierra wave” clouds. When I saw these clouds and this light, the obvious question was what to put in a photograph that included them — so I quickly wandered over the a high point above the valley of the Fremont River from which I could photograph across the sunlit valley to include the spectacular clouds and darker peaks in the distance.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dry Mud and Sand

Dry Mud and Sand
Dry Mud and Sand

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

A dry and curled layer of mud atop red sand in the bottom of a Utah canyon

It might be amusing for “normal people” to encounter a group of photographers in the bottom of a narrow Utah canyon, where the photographers might be found clustered attentively and enthusiastically around… dry mud. That was the case here, as a group of use suddenly halted our progress down a small (though much larger later on) canyon to set up tripods, fit just the right lenses, and spend about a half hour making photographs of mud.

However, as is often the case in landscape photography, it turns out that even dried mud may have a lot more going on than a casual glance would suggest. For people who are not particularly conscious of their “seeing,” it would be easy to walk past and think, “that curled mud is very interesting” and not pay much more attention to it. However, a bit of time spent in these narrow canyon walls teaches you to become alert to the possibility that you might be missing certain things. One bit of visual magic in these canyons happens during the middle part of the day, when the sun directly strikes the red rock canyon walls and reflects this red-saturated light down into the bottom of the canyon. Once you train yourself to see past what your visual system tells you it is seeing (brown mud) you can begin to see the intensely red coloration of this light and even begin to notice that there is a blue component where direct light from the open sky reflects off of some surfaces. And then, you may also find yourself intently focusing on making a photograph of a small patch of dry and cracked mud sitting atop red sand.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Red Rock Canyon

Cottonwood, Red Rock Canyon
Cottonwood, Red Rock Canyon

Cottonwood, Red Rock Canyon. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A fall color-tinged cottonwood tree grows in the depths of a red rock canyon, Utah

It is time to begin the Utah posts — I already have perhaps a month of photographs to share. (I still have more photographs from my late-summer back-country Yosemite shoot in the queue, but they can wait for a bit.) Utah, especially the southwest portion that I have visited frequently during the past few years, is an intriguing place for this California photographer. After decades of happily photographing my increasingly familiar home territory, it has been a special experience to work in a place where almost everything is new to me. I’ve gone there will few specific expectations, and I’ve made a point of not seeking out the familiar icons — though I have stumbled onto a few of them. (Yes, I do have a photograph of the Watchman. ;-) Compared to the gray tones of California granite, the red rock country of the Southwest is absolutely wild. Combine that rock with intense colors of green plants, yellow/gold fall foliage, blue sky and the effect is very different from what I’m used to shooting.

On my recent visit I managed to get into a number of canyons and gulches, which are perhaps the most magical of Utah places. In many cases, including the canyon where I made this photograph, the visit often begins in a place that looks nothing like this canyon scene — some dry, shallow wash or perhaps out on the flatlands above the canyon, where the air is dry and warm. I follow a path downstream and soon the wash becomes deeper and the walls rockier, and before long these walls rise to become cliffs and the world outside and above disappears, replaced by cool and moist air and water in the bottom of the echoing canyon. Trees and brush grow here, and sometimes you are caught up short when you encounter the sacred traces of people who made this world their home centuries ago. This photograph was made in such a canyon. At a stream crossing I made an almost random decision to climb up onto a higher route around a bend in the stream rather than following the the stream along the bottom of the canyon. As I crossed the slightly higher area I looked down into this world of red rock where a solitary cottonwood tree grows against the curving patterns of the rock.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Peninsula, Trees, Evening Light

Peninsula, Trees, Evening Light
Peninsula, Trees, Evening Light

Peninsula, Trees, Evening Light. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light comes to a tree-dotted peninsula on a subalpine lake, Yosemite National Park

A subalpine Sierra Nevada lake like this one, where I photographed over the course of six days in September, is both a comforting source of familiarity and an opportunity to seek and discover new things. Anyone who has spent much time in the Sierra back county is familiar with lakes like this one. It is set in a very shallow bowl between higher ridges in most directions, a low and rock ridge in another, and a forested valley holding its outlet stream. This one is entirely surrounded by forest, dense and growing right to the shoreline in places, and sparse and rocky in others. A walk around the lake — and I made quite a few of these walks! — reveals marshy sections, places steep and rocky enough to make passage challenging, rocky outcroppings, views through trees, small granite islands, and more.

These walks almost inevitably brought us to the far end of the lake, near the marshy outlet, where this granite peninsula extends into the lake and supports ground cover and a few isolated trees. As we explored and photographed individually, it was not unusual for us to run into one another in this spot where there are so many interesting possibilities. The peninsula was a bit of an enigma for me. Its visual appeal was immediate — the individual trees standing in the light, the granite rocks, the open views of surrounding terrain, and its path away from the shore and out into the lake. But once there, I discovered that it was not as easy to photograph as I might have expected! Despite its obvious appeal, there were challenges — how to find an effective background, getting just the right light, and placing the individual components of the scene into a pleasing composition. On this evening I shot with a wide-angle lens and decided to work the curving shoreline that faced the late-day light.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.