Tag Archives: stone

Cobbled Street

Cobbled Street, Montpellier, France
“Cobbled Street” — A man walks up the slope of a steep cobbled street, Montpellier.

After visiting Monpellier’s Arc de Triomphe and nearby Christmas Market, we headed back down the Rue Foch toward the old center of the city, but soon took a detour to the north. It eventually took us to the St. Pierre Cathedral and then the nearby Jardin des Plantes. To get there, we first traveled through some quieter, winding back streets, including this one where I photographed a man ascending a steep section.

The light in this location and others like it reminds me a lot of the light in slot canyons in the American Southwest. Because this “canyon” is also narrow and lined by tall “walls,” direct light rarely makes it to the street level. As a result, the light is often quite “cool,” or blue, since most of it is coming from the sky itself. But in places where the sunlight hits the walls, it reflects back and forth and sends a bit of warmer toned light into the “canyon,” as on the wall at the end of this street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Purple Larkspur

Purple Larkspur
“Purple Larkspur” — Purple larkspur flowers, blooming in Northern California.

Recently I wrote — again! — about returning to unremarkable “special places” that probably don’t have any meaning to anyone but me. This photograph comes from one that I mentioned, a trail through a small ravine at a nearby country park. Every spring I go there to visit spots where I can photograph a few favorite wildflowers, including a particular little area where these Larkspur flowers bloom.

They are odd flowers, not like so many of the other popular spring wildflowers. Their color is dark, sometimes so dark that is is quite difficult to photograph them. (I try to find them when they are still in the shadows, and the soft light helps reveal details.) Because of the way they grow from a central stem, it can be challenging to make a composition out of them, much less get a plane of focus that lines up ideally with their dense details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stone Wall and Pedestrians

Stone Wall and Pedestrians, Paris
“Stone Wall and Pedestrians” — Parisiens walk and run past a tall stone wall.

The photograph is from somewhere in Paris. We were on a walk and I was photographing as we moved, not paying too much attention to identifying locations. (That’s a characteristic of how I work when photographing the urban environment — I am so focused on it as a visual experience that I often forget to record locations or the names of places and so on.)

If a photograph can be about something, this one might be in some ways about the relationships between people and the infrastructure of the the urban environment. . To my eye, the people here look very small and transitory by comparison to the scale of the building and the angular forms of most of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Bend

Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.