Tag Archives: street

Crossing Lexington

Crossing Lexington
A man crosses Lexington on a winter afternoon in New York City

Crossing Lexington. © Copyright 2018 G Dan Mitchell – all rights reserved.

A man crosses Lexington on a winter afternoon in New York City

I made this photograph on one of the coldest in a string of very cold winter days in New York City between Christmas and New Year’s Day. On such days we still were out walking around Manhattan quite a bit, but we also sought out shelter and warmer activities. On this day the plan was to visit an exhibit at the Guggenheim. We took the subway up there and arrived late enough that we had to join a line waiting, we presumed, for folks in the already-crowded building to leave so that we could enter. After fifteen or twenty minutes in the line, standing in freezing wind, we realized that the line was not moving at all, and we bailed out for a nearby restaurant where we could warm up.

After lunch we ended up on Lexington, where there was plenty to see and photograph. Many of my photographs on this afternoon took advantage of winter sunlight obliquely slanting across buildings and windows and reflecting onto the sidewalk and street. However, the light for this photograph was different — a sort of soft glow filtering down from the strip of sky above the street. This is a busy place, but during a momentary break in the pedestrian and vehicle traffic this solitary man slowly crossed the street in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Brick Wall, Balcony Shadows

Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Lexington Avenue

Pedestrians, Lexington Avenue
Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

Pedestrians, Lexington Avenue. Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Manhattan Graffiti

Manhattan Graffiti
Detail of graffiti in Lower Manhattan

Manhattan Graffiti. © Copyright 2017 G Dan Mitchell – all rights reserved.

Detail of graffiti in Lower Manhattan

I’m often a bit uneasy about photographing graffiti. For one thing, I feel just a bit like I’m simply recording someone else’s “work” when I do this. For another, I have some concerns about contributing to the visibility of what is, at least in some cases, essentially vandalism. In many cases I have decided to not photograph such things. In others I made photographs and then chose not to share them. In yet other situations I have distorted/modified identifiable “tags” in post so as to avoid being seen to promote vandals. But sometimes graffiti is more than just vandalism. It sometimes rises to the level of art, it isn’t unusual for its themes to present some information about places and times, the colors and forms can be interesting, and the weathering and layering of successive examples can produce unanticipated effects.

I’m pretty certain that I photographed this tiny section of a large bit of street are while walking somewhere in lower Manhattan or perhaps as far us as the Chinatown/Little Italy area. I was on the move on the day I made the photograph, not lingering very long in any one place, so my recollection is that I saw it, photographed it, and moved on. The color palette of this image usually would not attract me, but somehow here it did – perhaps because it seemed somewhat atypical of such street art.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.