Tag Archives: structure

Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel

Stairs, Le Centre Pompidou

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Stairs, Le Centre Pompidou
Outside stairs at Le Centre Pompidou, Paris

Stairs, Le Centre Pompidou. © Copyright 2018 G Dan Mitchell – all rights reserved.

Outside stairs at Le Centre Pompidou, Paris

We had previously walked past the Pompidou Center museum but had not stopped, instead visiting other museums on our list. The structure is famous (or infamous, depending on your aesthetics) for its unusual architecture, which exposes lots of things that would usually be hidden beneath the skin of a more traditional building — ventilation ducts, stairs, escalators, structural reinforcements, and more. While the art inside the building was fascinating, the photographer in me was attracted to the structure itself.

I made this photograph from the ground level before we went inside. The simple “x” shape is superimposed on some of those exposed structural details, in this case a bunch of outside stairways. The color scheme of the building in this area is almost purely monochromatic — at first I thought I was looking at a black and white image, until I noticed a bit of yellow color along a margin. Since it was already monochromatic I decided to eliminate even that bit of color and go with a black and white rendition.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects

Architectural Detail

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Architectural Detail
Architectural details, New York Botanical Gardens

Architectural Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Architectural details, New York Botanical Gardens

We began our recent trip with a short visit to New York City. This gave us a chance to visit with relatives there and to break up the jet-lag-inducing flight to Europe. Because the visit was short — we were only in New York for three nights before we flew on to London — we took it easy and didn’t try to see too much this time. We hung out near our Manhattan hotel, walked a lot, went out to eat, and made one longer trip to the The Bronx to visit the New York Botanical Garden.

The Garden is spectacular, very large, and full of interesting things to see. Unfortunately, we were there on a typical August New York Day… which many of you may know means 90+ degrees and near-100% humidity. Our first stop was indoors, to see a small exhibit devoted to O’Keeffe paintings from her visit to Hawaii. In the building shown in this photograph there was a companion presentation that featured some of same plants and flowers that were the subjects of her work on the Islands. Needless to say, inside this greenhouse-like structure on a hot humid New York day… it was even hotter and more humid! We stuck it out for a while, but we eventually had to go back outside. As we did so, we got a bit of light-softening overcast, and I made a few photographs of the forms and textures of this remarkable building

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Structures and Objects, Photographs: Urban/Street

Blue Metal Structure

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Blue Metal Structure
Detail of a blue metal building at the Mare Island Naval Ship Yard.

Blue Metal Structure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a blue metal building at the Mare Island Naval Ship Yard.

I was at the historic Mare Island Naval Ship Yard to spend the evening doing night photography with my friends from the original Nocturnes group, and I had arrived well before sunset. After meeting up in the Mare Island Museum for pizza and conversation we realized that the end of the day was coming. I went outside about a half hour before sunset, and I thought of some old industrial buildings that I had passed on the way in. Instead of staying where I was and starting my typical routine of wandering on foot with my gear I decided to take short drive back to those buildings and see if I could make a few quick photographs in the end-of-day light.

I soon arrived and made a few photographs in golden hour light, but the sun quickly dropped below the horizon and I was left with that post-sunset glow. This light can be quite warm if clouds reflect some of the remaining red, yellow, and orange tones of sunset, but if the sky is clear what remains is the intense blue of early twilight. The latter light is what evolved, and I soon moved back to this unusual structure whose blue paint’s color was even more intensified by this twilight illumination.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Structures and Objects

Abandoned Mill

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Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.