Tag Archives: subalpine

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Lake, Ridges, Evening Light

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Lake, Ridges, Evening Light
Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

Lake, Ridges, Evening Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park.

This photograph (and its appearance here) is a bit unusual for me, though not entirely unprecedented. It is a photograph that I have shared previously, back when I originally made it some years ago. During the last year and a half I have had plenty of opportunities to revisit older work. Mostly this has meant exploring raw file archives to locate work that was “left behind,” but which turned out to be interesting and valuable in retrospect — photographs that I felt deserved a first showing. But this case represents something different — the rethinking of a photograph that I thought I had finished.

Revisiting and revising one of my previously-shared photographs usually leads to some relatively obvious changes. But in this case I think that changes may be subtle. Theres a small change in how it is cropped, some new ideas about how to handle the foreground light, some important but small changes to the middle forest and peak just beyond the lake, and some new adjustments to the sky. In my view, it is perfectly natural and good to revisit the original interpretation of a photograph over time, a process that was perhaps more common in the film era.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Late Afternoon Shadows, Subalpine Lake

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Late Afternoon Shadows, Subalpine Lake
Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

Late Afternoon Shadows, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

During mid-July I managed to get to the East Side of the Sierra fora few days of photography, hiking, and camping. Given the complexities of access to Yosemite right now I decided to go elsewhere — even though my usual “go to” for an initial summer trip like this tends to be the Tuolumne Meadows high country. I spent a bit of time in the Sonora Pass area and then headed further south to a location in the Bridgeport/Lee Vining region, where I found a campsite near a trailhead leading to high country lakes.

Since my schedule is prejudiced by my preference for early and late day light, I spent the early afternoon in camp. But by mid-afternoon it was time to load up the pack of camera equipment and head out. My trail passed several lakes as it ascended, each a bit more alpine than the last. At my scheduled turn-around time I reached a meadowy area with running water, several small lakes and tarns, and the small trees characteristic of near-timberline Sierra locations — in other words, my favorite terrain! I paused to make a few photographs there before starting back down the trail. As expected, the low-angle afternoon light began to distract me from hiking, and I stopped frequently. The first stop was at this small, shallow lake where the shadows were beginning to extend across the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Boulder and Cascade

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Boulder and Cascade
A subalpine brook cascades over rocks and past a small boulder.

Boulder and Cascade. © Copyright 2021 G Dan Mitchell – all rights reserved.

A subalpine brook cascades over rocks and past a small boulder.

No landscape photographer I know is quite able to completely resist the lure of photographing moving water cascading over rocks. I can imagine quite a few reasons for this. The miniature landscapes in Sierra creeks like this one hold an infinity of potential compositions. Unlike so much of the landscape, the water is in constant motion, to the point that one almost needs to make many exposures to get it just right. There are interesting technical questions to resolve, including just how much blur is the right amount.

Beyond all of that photographic stuff, these streams are just fun places to spend some time. Many years ago I still took fishing gear into the backcountry. I stopped once I realized that I didn’t need the excuse of fishing in order to justify time spend wandering up and down these creeks, with their attractions of wildflowers, green plants, and the constant sound of moving water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Stream and Peak

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Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.