Tag Archives: sunset

Sunset Virga

Sunset Virga
Sunset Virga

Sunset Virga. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front

First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.

This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Coyote On the Hunt, San Joaquin Valley

Coyote On the Hunt, San Joaquin Valley
Coyote On the Hunt, San Joaquin Valley

Coyote On the Hunt, San Joaquin Valley. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone coyote in sunset light hunts in a winter field, San Joaquin Valley, California

If you are out and about much in my part of California, especially near the edges of the day, occasional encounters with coyotes are to be expected. I’ve had my share over the years. One of the most memorable, perhaps 15 or 20 years ago was when I was a very serious cyclist and out for a morning 50-miler south of the San Francisco Bay Area. Is I rode down a country road next to a steep hill, a coyote suddenly flew (almost literally!) down the slope and landed on the road just feet in front of me. I’m not sure who was the most surprised or panicked at this development, but my memory of the event has the coyote doing an immediate 180 degree turn and racing back up against the hill just before we collided. On other occasions I’ve seen them at a distance or I’ve been hiking along only to look up and see one very close by.

Even though I knew that they inhabit this place, where we were photographing migratory birds in the San Joaquin Valley, coyotes were pretty much the last thing on my mind when another member of my group said, more or less, “look behind you!”. I shooting over the top of my car and photographing geese in developing golden hour light, so I turned around – now using the car as a back-rest rather than as a blind! – and simply tracked the animal as it made its lazy way along the field on the other side of a drainage ditch. I made no attempt to conceal myself – it would have been pointless – and the coyote barely seemed to care as it went about its evening hunt, crossing slowly in front of me and eventually disappearing into tall brush to my right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese Fill the Sky

Ross's Geese Fill the Sky - A large flock of Ross's geese fill the dusk sky during the fly-in, San Joaquin Valley, California
A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

Ross’s Geese Fill the Sky. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

I photographed these birds on my first visit of the season to the San Joaquin Valley wildlife refuges… on a “wild goose chase” to find the Ross’s geese and other migratory birds out there. I spent the entire day in the general area, starting and ending at this refuge since it seems to be one of the more reliable locations in this area for finding the geese.

When I returned in the early evening it was perhaps an hour before sunset. I did a slow drive around the refuge, looking for geese. I saw a few, but they were mostly a bit too far away and out in the marshes where I would not really be able to photograph them. However, as I continued to look, I began to see the first hints of the evening fly-in across on the far side of the refuge, where groups of geese were flying over and an occasional flock would rise and circle for a minute or two. I headed over that direction to find a very large flock in a pasture area not far from the road. As I watched, they rose up in masse, circled the refuge, and then landed more or less where they had started. This is behavior that I recognize from previous visits, and I knew there was a very good chance that they would do it more than once, so I put a long lens on the camera and got out my tripod. (I might shoot birds handheld during the day, but in the evening when the light dims I prefer to use the tripod.) Sure enough, the flock soon lifted off again, once more circling the wider expanse of the refuge, and filling the dusk sky as they came close to my position.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.