Tag Archives: talus

Peak, Lake, and Boulders, Sunset

Peak, Lake, and Boulders, Sunset
The last light of the day touches the top of Sheep Peak in the McCabe Lakes Basin, Yosemite National Park.

Peak, Lake, and Boulders, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of the day touches the top of a peak in the northern backcountry of Yosemite National Park.

This is not a new photograph — rather, it is a reconsideration of one that I made almost a decade ago and recently looked it with new eyes. The location is in the northern backcountry of Yosemite National Park, in a somewhat remote area characterized by high ridges, rocky terrains, and some lovely lakes. I was there with a group of friends and photographers for a few glorious days during which we took our time and explored the surrounding terrain.

We were camped at a lower lake among forest trees, in a location that gave us shelter but also access to tons of higher, more alpine terrain. Often we headed off individually to photograph, but on this late afternoon we all headed to the same place, ascending a slope at the upper end of “our” lake to arrive at the next lake up the valley. Sequences of lakes like this are common in many backcountry areas, and I enjoy the individual personalities of the lakes as they are affected by terrain and elevation. This lake was surrounded by alpine meadows, very small and sparse trees, lots of talus, and towering peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Alpine Lake in Shadow

Alpine Lake in Shadow
Rocky terrain around a awilderness alpine lake in shadow, Kings Canyon National Park.

Alpine Lake in Shadow. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rocky terrain around a wilderness alpine lake in shadow, Kings Canyon National Park.

I photographed this scene in a sort of light that I might not typically use for such a subject. This lake lies in a basin beneath some very tall and rugged peaks, and it loses its sunlight well before sunset as the shadows of those peaks stretch over the landscape. The softness of the light here is what you get it and kind of light, where the illumination comes from the diffused blue dome of the sky.

Of all the variations of Sierra Nevada terrain, places like this hold a special attraction for me. Near timberline, they mark the transition from the familiar forested country to the wild and rugged high places. The softening effect of vegetation is still here, but the views are open and rocks are everywhere. It is a landscape of possibilities, chief among them the potential to follow any line of passage that you can see.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Aspens, Brush, and Talus

Autumn Aspens, Brush, and Talus
A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

Autumn Aspens, Brush, and Talus. © Copyright 2020 G Dan Mitchell – all rights reserved.

A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

These trees grow in an area widely regarded as iconic for fall color photography in the Sierra Nevada, though if they appear in the usual photographs at all they are perhaps seen as a small element off to the side in the distance. However, they have intrigued me on their own for many years. Since the first time I visited this place I made a point of walking past and underneath them, and eventually I began to consider how they could be photographed from a slightly greater distance.

These trees constitute a segment of a thin line of trees that travels for some distance, thick and wide in some places and separated by breaks in others. In the best years — and this was one of those — they include all of the potential color shades from yellow through orange to red. But the other elements in this scene also are important to me — the bluish rocks of the hill in shadow, the subtler colors of the brush in the foreground flats, and the dark green of the widely-spaced conifers trying to gain a foothold in this meadowy area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Red and Yellow Aspen Leaves

Red and Yellow Aspen Leaves
Autumn aspen leaves in yellow and red, Eastern Sierra Nevada.

Red and Yellow Aspen Leaves. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen leaves in yellow and red, Eastern Sierra Nevada.

Although it is hard to quantify such things, this Eastern Sierra fall color season seemed to produce better colors than I have seen in some time. Overall the colors were good, but two characteristics stood out. In many years I see a significant number of trees whose leaves simply turn dark brown or black and fall off — but I saw virtually no examples of that this year. But the most impressive feature this year seemed to be the large number of trees with red or orange colors. We always look for those, but they don’t necessarily show up in large numbers every year.

After photographing the large landscape at an iconic location I found a lovely grove full of leaves of every color from green through red, orange, and gold. I put a macro lens on a camera and wandered among the trees, looking for compositions that mostly consisted of a few leaves, often with some interesting color or light in the background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.