Tag Archives: talus

At Tree Line

At Tree Line
“At Tree Line” — The final small trees give way to meadows and granite at tree line, Sierra Nevada.

On occasion I have been asked about my favorite places in the Sierra Nevada, the range I have wandered for decades. I do have specific favorite locations, but I often answer more generally: it is the country right at the tree line, where the terrain opens up, the highest peaks are visible, there is (usually) water everywhere, and where one can freely wander without trails, constrained only by technical skills, terrain, endurance, and imagination. To me, this IS the embodiment of the “range of light.”

The place in the photograph is a fine example of what I refer to. We were camped at a lower elevation among trees and near a lake. But we could see all the way up this long, open valley with small trees, scattered meadows, and a lovely creek. I walked up it several times during our stay. As I ascended the trees began to thin and the meadows, soggy in places, took over. I made the photograph in the region of the last trees, and then I kept going toward the base of the talus slopes in the distant shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees, Ridges, and Clearing Storm

Trees, Ridges, and Clearing Storm
Mist floats among ridges as a Sierra summer storm clears.

Trees, Ridges, and Clearing Storm. © Copyright 2022 G Dan Mitchell.

Mist floats among ridges as a Sierra summer storm clears.

This is (yet another) photograph from the evening when our two days of rainy weather finally broke. The rain stopped, the clouds thinned, openings appeared, and fog drifted back and forth among the peaks and ridges as sunset approached. I found a high, exposed place with a clear view of the surrounding terrain and settled in to photograph the show.

To our south the terrain rose toward higher lakes and then to a long and jagged high ridge. At first the view in this direction was obscured by fog and clouds, but as the evening wore on gaps appeared. At times the sky was briefly visible and the more distant peaks began to appear a bit more clearly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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High Country Sunset

High Country Sunset
Sunset light on trees along the shoreline of an alpine lake below talus fields.

High Country Sunset. © Copyright 2022 G Dan Mitchell.

Sunset light on trees along the shoreline of an alpine lake below talus fields.

This is the highest of a small series of three Yosemite backcountry lakes — the lowest in forest, the middle right below steeping terrain, and this highest lake surrounded by alpine meadows and rocky slopes and ridges. When I visit I usually camp at the lowest lake and then day-hike to the upper at the times of best light.

This time I went up late in the day, planning to stay through sunset and then hike back down to my camp in the gathering darkness. This lake sits just below a high, shattered ridge covered with slabs, talus, and boulders. It catches the late light and produces a wonderful backdrop to the lake, the green shoreline meadows, and the trees catching the golden hour colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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West-Facing Wall

West-Facing Wall
Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

West-Facing Wall. © Copyright 2022 G Dan Mitchell.

Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

In the recent series of panoramic photographs from the Yosemite backcountry and a follow-up photograph in a more typical orientation, I mentioned this location and its extraordinary exposure to the western sky. Among backcountry locations with which I’m familiar, this one is perhaps the most reliable at producing beautiful sunset light and alpenglow.

For this photograph I decided to simply compose straight on, looking right at the upper (and east) side of the bowl. Even though peak sunset color has not yet quite arrived, the entire cliff face is washed with this warmly-colorful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.