Tag Archives: talus

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Brush, and Talus

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Autumn Aspens, Brush, and Talus
A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

Autumn Aspens, Brush, and Talus. © Copyright 2020 G Dan Mitchell – all rights reserved.

A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

These trees grow in an area widely regarded as iconic for fall color photography in the Sierra Nevada, though if they appear in the usual photographs at all they are perhaps seen as a small element off to the side in the distance. However, they have intrigued me on their own for many years. Since the first time I visited this place I made a point of walking past and underneath them, and eventually I began to consider how they could be photographed from a slightly greater distance.

These trees constitute a segment of a thin line of trees that travels for some distance, thick and wide in some places and separated by breaks in others. In the best years — and this was one of those — they include all of the potential color shades from yellow through orange to red. But the other elements in this scene also are important to me — the bluish rocks of the hill in shadow, the subtler colors of the brush in the foreground flats, and the dark green of the widely-spaced conifers trying to gain a foothold in this meadowy area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Red and Yellow Aspen Leaves

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Red and Yellow Aspen Leaves
Autumn aspen leaves in yellow and red, Eastern Sierra Nevada.

Red and Yellow Aspen Leaves. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen leaves in yellow and red, Eastern Sierra Nevada.

Although it is hard to quantify such things, this Eastern Sierra fall color season seemed to produce better colors than I have seen in some time. Overall the colors were good, but two characteristics stood out. In many years I see a significant number of trees whose leaves simply turn dark brown or black and fall off — but I saw virtually no examples of that this year. But the most impressive feature this year seemed to be the large number of trees with red or orange colors. We always look for those, but they don’t necessarily show up in large numbers every year.

After photographing the large landscape at an iconic location I found a lovely grove full of leaves of every color from green through red, orange, and gold. I put a macro lens on a camera and wandered among the trees, looking for compositions that mostly consisted of a few leaves, often with some interesting color or light in the background.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Glaciated Terrain

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Glaciated Terrain
A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines

Glaciated Terrain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.