Tag Archives: two

Two Cranes, Morning, Marsh

Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ring Of Aspens

Ring Of Aspens
Two autumn aspens in a small clearing, surrounded by a circular grove of larger trees

Ring Of Aspens. Great Basin National Park, Nevada. September 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two autumn aspens in a small clearing, surrounded by a circular grove of larger trees

Thinking that I would like to explore some new areas, in late September I headed out to Great Basin National Park along the eastern border of Nevada, just a few miles from Utah. I picked this time to go since I knew that Utah aspen color can peak than that in California — late September rather than early October — and I figured that the same calendar might work in Nevada. I made the long (12 hour!) drive from the San Francisco Bay Area to Baker, Nevada in a day, and the next morning I set out to enjoy a rare thing — the first experience in a new (to me) national park. To describe it briefly, much of the park encompasses and mountain range among the many found in Nevada’s basin and range country. The highest peak is over 13,000′ tall and even supports a small glacier. This high area is, at least to most people, on of the two main features of the park. The other is Lehman Caves, which I did not visit on this trip.

While much of Nevada is “basin,” and therefore dry and without a ton of vegetation, these mountain ranges can support a lot of life. They are often covered with forests, and there are lots of aspens if you look in the right places. The aspens were high on my list of photographic targets. But it seemed that I may have slightly miscalculated on the dates of peak color, and when I arrived many of the trees were still quite green. (Others had apparently just dropped leaves, and late in the visit I finally did “discover” a less-traveled canyon with lots of colorful trees.) I found one lookout high in the mountains from which I could look across a large valley, and in this valley there are quite a few aspens — solid groves of them and other trees interspersed with the conifers. This small grove caught my attention with its unusual arrangement — a ring of trees surrounding a couple of isolated trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Crossing The Stream

Crossing The Stream
Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

Crossing The Stream. John Muir Wilderness, California. August 31, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

I was out photographing around the lower end of the lake above this stream when two backpackers passed by. I was fascinated by watching them as they came through here, and their progression to and across the stream reminded me of some aspects of backcountry travel that are important and quite different from how we live our typical day-to-say city lives. They were moving efficiently as they approached the obstacle of this stream at the trail crossing. At first glance the crossing seemed obvious, with the trail clearly arriving and departing from opposite sides of this wide spot in its course. But, as is frequently the case, the crossing wasn’t as simple as it first looked — the water was unusually high for this time of year – and no ideal crossing was apparent. They stopped, looked around, tried a few options, finally settled on stepping across on slightly submerged rocks, and they crossed. The first hiker got across fine, and the dog followed, but the second hiker slipped into the water just a bit and then apparently lost a set of glasses. They pondered a bit, realized that they couldn’t get them back, and then set off, once again moving with a purpose across the meadow and on toward a higher lake.

I now think of something else when I see such backpackers, younger (to me, anyway!) backcountry visitors who seem in many ways like me a few decades ago. I envy their ability to carry large loads and to move quickly. I can still carry what I need to, but it is harder and slower than it once was! I also think about how much they cannot yet know about their potential future in these places, including the prospect that their appreciation and connection to the wilderness will grow and mature in ways that they cannot yet foresee. Sometimes I want to stop and tell them… but I never do.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Five Brothers Fat Enterprise

Five Brothers Fat Enterprise
A business at the edge of Chinatown, Manhattan

Five Brothers Fat Enterprise. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A business at the edge of Chinatown, Manhattan

In early July we spent a week in New York City, visiting relatives, wandering around the city, seeing a few museums, and eating a lot of good food. Oh, and making photographs. We stayed in a small hotel in the area more or less dividing Little Italy from Chinatown, and there was a lot to observe right in the neighborhood, night and day.

If I recall, on this morning we may have been out looking for a place to grab breakfast, or possibly we were staring out on a walk to a further destination. I was in street photographer mode, with my small camera out and at the ready, when we walked past this complex little scene, with the interesting graffiti covered “enterprise,” the man sitting inside, and the fellow in the cross walk waiting to cross the street.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.