Tag Archives: urban

Photographs: San Francisco, Photographs: Urban/Street

Palm And Tarot Reader

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Palm And Tarot Reader
The front window of a palm and tarot card reader business

Palm And Tarot Reader. © Copyright 2018 G Dan Mitchell – all rights reserved.

The front window of a palm and tarot card reader business

There are many aspects of the urban landscape that fascinate me. It is often far more colorful than the natural world, and there are frequently interesting geometries and compositional potentials. Objects become more interesting as they exhibit weathering and wear, yet they are frequently found juxtaposed with perfectly constructed new objects. Text, in signs and elsewhere, plays a part — ranging from its own geometry and form to possibly ironic combinations. And, of course, the people are subjects and they constantly change. And odd, attractive little oddities abound — as in this little scene.

I didn’t think too much about it as I made the photograph — I tend to work rather intuitively — but looking at it now I’m sure that several things caught my attention. The juxtaposition of spiritual and occult imagery and text was at the top of the list, especially combined with the banality of the location. The patterns of color also interest me, from yellow at the left, through the reds of the window edge and neon sign, to the blue shadow light at the far right. There are also small elements that you might miss, like all of the locks on the door at the edge of the frame. And that doesn’t remotely exhaust the list of things that you could see here…

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Blue Stairway

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Blue Stairway
A blue stairway in a softly lit alcove

Blue Stairway. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue stairway in a softly lit alcove

In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.

Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

Steps, Red Door In Sun

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Steps, Red Door In Sun
Manhattan residence building with steps and a sunlit red door

Steps, Red Door In Sun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Manhattan residence building with steps and a sunlit red door

It is hard to resist a red door in morning sunlight. :-) The photograph comes from 2014, on one of our frequent visits to New York City to visit family, eat a lot of food, and do street photography. When in New York (and sometimes other boroughs including Brooklyn and Queens) we walk a lot. We’ve been known to walk into Manhattan from Brooklyn, or walk all the way up from the lower end of Manhattan to and into Central Park.

While I don’t recall the specifics of this photograph (though I think I have a general sense of where we were) I know we were out for one of those walks. I’m also pretty certain that this was more or less a quick shot as we walked past this little residential area. The reason this photograph show up now is one of those serendipitous stories. A week or two ago someone asked me a slightly technical photography question. I thought that I might be able to illustrate an answer by using an urban photograph made with a somewhat wide-angle lens, so I began to wade back into older New York photographs to see what I could find. In the end I never used any of them to respond to the question, but I did find a set of four-year-old raw files that I must have neglected to consider at the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Tortaria

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Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.