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Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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White Pelicans

White Pelicans
A flock of white pelicans wheels overhead

White Pelicans. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of white pelicans wheels overhead

I’m sure I’ve mentioned this before, but I’m a late-comer to the whole bird thing — and I’m still more of a bird appreciator and photographer than an actual “birder,” in the sense of being able to precisely identify many birds or of building a life list. I have long been aware of the brown pelicans that are found along our California coastline, and I’ve watched and photographed them for years. However, until just a few years ago I was unaware that we had white pelicans right here in California. I first “discovered” them on one of my Central Valley goose photography forays when I spotted some large white birds with big bills off in the distance. It was a late discovery for me, but I’m glad I found them.

Each of the birds that I know from the Valley has its own mode of behavior and of flight. The geese generally fly fast, make a lot of noise, can frequently be approached fairly closely, and tend to flap a lot when flying. Ibises, to me at least, somehow have a mosquito-like appearance in flight. Cranes seem purposeful, often flying in low, straight lines, but swerving so as to avoid flying directly above people. The white pelicans often have a very smooth mode of flight, seeming to coast in without a lot of wing action — much like their brown cousins along the coastline. They do flock, but in much smaller numbers here, generally measured in dozens rather than hundreds or thousands. And when they land they typically seem to keep their distance from humans and their traces. This group, however, put on quite a close-up show. The arrived from out across the ponds, but then began to circle above and around my position, where they remained in flight for quite some time. A bit of backlight shining through their wing feathers compensates for the usual difficulty of photographing the undersides of birds against the bright sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Wetlands, Morning Fog

Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow Geese, Sunset Light

Snow Geese, Sunset Light
A group of snow geese fly into sunset light

Snow Geese, Sunset Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of snow geese fly into sunset light

I made this photograph on my second visit to the San Joaquin Valley migratory birds this season, on a day that features some very beautiful light near the end of the day. As always, I arrived before dawn, at first photographing in very thin fog. (Overall, this year so far seems have produced a lot less fog than usual and much less than last year.) I photographed all morning, finally took my midday break, then returned in the mid-afternoon.

This group of birds managed to pose quite nicely for me. There are many challenges when it comes to getting a group of birds together in one photograph. There are the usual issues — the birds need to fly past within camera distance, they must be oriented so that they are decently lit, there must be enough light to allow a fast enough shutter speed in order to minimize motion blur. While “decent” light can work, better light is, well, better. In this case the group of birds cooperated and flew toward the low angle light source of the sun, with just enough side light to enhance their features. Another challenge is taking advantage of opportunities when the birds line up in interesting and photogenic ways. Here they are all (well, almost all) headed the same direction. Wings are mostly in interesting and dynamic positions. There is barely any overlap among the birds, and the one small overlap has the head of the closer bird visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.