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Meadow, Forest, and Dome

Meadow, Forest, and Dome
Afternoon light along the edge of Tuolumne Meadows, Yosemite National Park

Meadow, Forest, and Dome. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Afternoon light along the edge of Tuolumne Meadows, Yosemite National Park

Late in the afternoon, about the time that many day visitors leave Tuolumne Meadows for their lodgings and when many campers are fixing dinner, I wandered out into the meadow with no particular destination in mind. With the exception of a few other walkers and two or three deer, I mostly had the meadow to myself. I walked slowly along a narrow finger of grasses between trees encroaching that are gradually encroaching on the meadow, passed through the last trees in one of these stands, and found myself in a large section of open meadow. After so many years in the Sierra and particularly in this place, it has a quiet and comfortable and unhurried feeling on an evening like this one.

Farther downstream the larger forest trees came to the edge of the meadow, and late afternoon golden light slanted across the meadow past these trees. Beyond the shoulder of a granite dome sloped down toward the lower terrain, catching the sun from the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Forest, Morning Light

Sierra Forest, Morning Light
First morning light arrives in dense Sierra Nevada forest

Sierra Forest, Morning Light. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First morning light arrives in dense Sierra Nevada forest

Spend enough time somewhere and you begin to develop surprising relationships with surprising little places that perhaps no one else would even notice. Since I’ve been going to the Sierra for decades, I’ve had plenty of time to find my own “little places” and to begin to understand and value this. Some decades ago, when my backpacking experience became extensive enough that I often found myself back at places that I had previously visited, I was surprised to discover that particular rocks (like one at a high country lake where I often set up my camp kitchen, or another where I once sat and watched a storm blow in), creeks (such as one near 11,000′ in the southern Sierra where I have camped alone and with friends), trees (such as the one we discovered decades ago on a trip with kids, shortly after it had been blasted apart by lightning), and others acquire a quality of old, familiar friends.

This little bit of forest has become one of those places. It is not quite in the “back-country.” In fact, it is a scene that I drive past on my way to other places. But a few years ago it caught my attention and I began to inspect it every time I passed by, sometimes stopping to look more closely. I cannot quite articulate why or how it is that this bit of forest became “mine,” but it did. I was camped nearby on this morning and had gone out to look for light when I remembered the spot and arrived just as the first direct morning sunlight was beginning to enter the grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Passersby

Passersby
A couple passes a man with a dog on a San Francisco sidewalk

Passersby. San Francisco, California. July 25. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple passes a man with a dog on a San Francisco sidewalk

There are stories behind all of my photographs, but the stories of street photographs can be a bit more involved — they often include not only my own story but also the stories of the events and even the people who may appear. There is a bit of both in this photograph of some people along a sidewalk in the Chinatown area of San Francisco, a photograph made in the early evening at the beginning of a night of street photography. I can’t try to describe everything that might be here, but I’ll share a few hints.

The first subject I see in this photograph is the woman, whose gaze is somewhat averted and whose demeanor does not express complete ease. The young man she accompanies is, obviously, facing away from the camera as she clutches his arm. Look to the left and notice the figure near the lamppost — a man clothed in a tie-dye “robe” (for lack of a better description of his improvised attire), carrying a backpack, and walking a very large and hairy dog. That man was the first subject to catch my attention, and when I first saw him he was behind my camera position and walking towards me. Believe me, he was quite a subject himself, but I am not fond of grabbing photographs of people who seem to perhaps be down and out — that sometimes feels like a bit of cliché. So I let him pass without a photograph, but then instinctively turned to see the scene unfold in the wake of his passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Land Meets Sea

Land Meets Sea
Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Land Meets Sea. Mendocino County, California. July 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Having lived not far from the Pacific Ocean for more than a couple of decades, I am lucky to have regular access to the California coastline and its often dramatic meeting of land and sea. Due to proximity, my home territory is the section between just north of San Francisco and down through the upper portions of the Big Sur coast. The shouldn’t be any surprise, given the number of photographs of that area that I have made.

Oddly, for a near-native Californian, I had little experience with the coastline farther north. I had made it up as far as Fort Ross a few times, but every time I went north in the state I headed inland. Some years back we began to rectify this omission with some visits to the Mendocino area. I still haven’t gotten my mind completely around photographing this particular coast, but I’m learning. While we think of the coast as being somewhat civilized, with roads traversing it and passing from town to town, the actual meeting of land and water remains mostly a rugged wilderness. I made this photograph from a spot that it at the edge of one of these wilderness sections, where the roads cut inland and leave the coast to the birds and the sea life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.