An industrial building with green windows and a shadow-casting staircase, Mare Island Naval Ship Yard
The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. More recently there have been changes to the area lighting on the island. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) While I have to agree with the goal of increased energy efficiency, many of us mourn the loss of those old, colorful light sources. The LEDs can produce light that looks almost like daylight in some situations!
The first thing that brought me to the general area of this photograph was a pool of bright light in front of it that I saw coming from a very bright light across the roadway. As I approached I saw the interesting old external staircase, a subject that I often find interesting at Mare Island, and the complex pattern of shadows cast by the lights. I’m also a fan of the many large banks of windows in the buildings on the island. I’ve always assumed that the construction must have included so much glass so as to provide better interior light for these very large shop buildings. These windows are somewhat opaque, perhaps at least partially from age, and the lighter objects inside are only seen faintly through the glass.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.
A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard
This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.
Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard
I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.
A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard
There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.
Metal wall with white doors, window, and Reserved Parking sign
The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.
White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance
This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A metal-walled blue shade beneath an abandoned industrial building in “blue hour” evening light, near Vallejo, California
This photograph belongs to a genre that might be called Almost-Night Photography. I was at this location to do night photography, in fact, but for once decided to also try shooting the area a bit before the daylight disappeared. So perhaps 45 minutes before sunset I stopped what I was doing (eating pizza, actually…) and drove around a bit looking for “golden hour” photograph opportunities in this abandoned industrial area. I started a good distance from the location of this shot and did my sunset shoot in a more open area full of run down and falling down ruined buildings. After that I headed back towards an area of less-dilapidated but also virtually abandoned buildings.
So I arrived here a bit after sunset as the so-called “blue hour” light was coming on. The structure was open to the west where the post-sunset sky was visible over San Francisco Bay. Some clouds near the horizon still had the bright and orange-yellow colors of sunset, but the larger part of the sky was transitioning toward deep blue. As a result, any place in this image that was in shadow was primarily illuminated by the very blue overhead sky, while the upper windows of the taller building still reflected some of those last bits of color, though they were distorted by the uneven arrangement of the windows to create interesting patterns that are perhaps better seen in a larger presentation of the photograph. There are three buildings in the shot. The foreground round-roofed shed seems to be some sort of storage or work space that might have been added later. Behind that and to the right is a lighter-colored building that seems like it might have held some offices or similar facilities. Beyond that are the mostly glass walls of a very large industrial building that seems to be at least a full block long. These giant old buildings intrigue me in many ways, but the number of windows seems remarkable. I assume that they were designed this way so that people could work inside with little or no supplemental electrical light, and the interior spaces of such buildings can contain beautiful light during the day.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard
It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.
Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
