Tag Archives: veil

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Merced River, Bridal Veil Fall

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Trees, Merced River, Bridal Veil Fall
Bridal Veil Fall, beyond the Merced River and silhouetted trees.

Trees, Merced River, Bridal Veil Fall. © Copyright 2023 G Dan Mitchell.

Bridal Veil Fall, beyond the Merced River and silhouetted trees.

Something tells me that I am not the first person to photograph this waterfall between these trees — but it was there and I was there, so I made a photograph. I like the fact that the waterfall is almost an afterthought, a minor element in a scene that is mostly about other things — especially the silhouettes of these trees and the reflections on the high water in the Merced River.

Speaking of that water… near the end of spring the water levels in Yosemite Valley were nothing short of amazing. There have been past floods when the water levels were a bit higher, but I’m not aware of a recent season when sustained water flow was this powerful or high. Everywhere meadows are flooded, rivers are nearly out of their banks, and waterfalls are roaring.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Clearing Clouds, Merced River Canyon

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Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Sunlight, Waterfall Spray

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Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest and Cliffs

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Forest and Cliffs
Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

Forest and Cliffs. Yosemite National Park, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

In early September, about a week after returning from over a month of international travel — and missing the entire month of August in the Sierra! — I finally got to “go home” to the Yosemite high country for a few days. I camped in Tuolumne Meadows, traveled briefly to the East Side along US 395, and returned home via quick stops in Yosemite Valley, Oakhurst, and a favorite winter bird spot in the Central Valley. It was a quick trip, but just enough to get me back in contact with the mountains. (It also let me take an early look at the upcoming seasonal changes. The signs of fall in the Sierra are clear: corn lily plants dying off and falling over, bilberry reddening meadow edges, little spots of yellow on plants high up on rocky slopes, a few golden willow leaves here and there, and a general sense that everything is slowing after summer’s frantic burst of life.)

I rarely visit Yosemite Valley in the summer, preferring almost any other time to the crowds that go there during the vacation season. Although this was a post-Labor Day visit, and the biggest crowds had departed, there were still lots of people there. After a visit to the Ansel Adams Gallery, where a show celebrating the role of photography in the parks was close to concluding (it included five of my prints), I started to head out of the Valley. As I passed this spot I caught a glimpse of drought-killed trees (with the help of bark beetles), other trees standing tall, and the cliffs around Bridal Veil fall. I noticed it too late to stop… so I took one more loop around the roads of the lower valley and came back to make this photograph in the afternoon light and haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.