Tag Archives: wall

Photographs: New York City, Photographs: People, Photographs: Urban/Street

On The Beat

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On The Beat
A NYPD officer leans against a sunny wall during the 2022 “Columbus Day” parade.

On The Beat. © Copyright 2022 G Dan Mitchell.

NYPD officer leans against a sunny wall during the 2022 “Columbus Day” parade.

Back in early October, following our New England fall color expedition, we spent a couple of days in Manhattan. The main reason was to visit family — since we were already on the East Coast it seemed like we should do so. But it was also an excuse to spend a little more time in Manhattan, and during a more pleasant time of the year than our traditional August visits. The city felt more and more like it was coming back to life. There was a street fair outside our hotel when we arrived, and since the last day of our visit coincided with a national holiday there was a parade.

It was what New York apparently still calls the “Columbus Day” parade, though that problematic naming is sometimes combined with “Indigenous Peoples Day” and/ or “Italian Heritage Day.” New York politics are fascinating. I photographed this police officer during the parade, making several photographs as he hung out by this this sunny wall, alternately chatting up passers-by, watching the parade, and maybe just enjoying the warm sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Trees, New Hampshire

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Autumn Trees, New Hampshire
“Autumn Trees, New Hampshire” — A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: New York City, Photographs: Urban/Street

Mural, Parking Lot

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Mural, Parking Lot
A large mural featuring two faces, above a Manhattan parking lot.

Mural, Parking Lot. © Copyright 2022 G Dan Mitchell.

A large mural featuring two faces, above a Manhattan parking lot.

One of the things I like to do while making street photograph is look for odd, unusual juxtapositions. There are plenty of these in virtually any big city environment, since these places usually bring together a wide variety of people, activities, structures, and more. Street art and murals add another image element to the mix. There are some oddly disparate elements here: the two large figures, cars on lifts, and a couple of people at the lower left.

The mural on this building’s wall features two figures overlooking the street in a somewhat ominous manner. I don’t know the identity of the one on the right but the one on the left appears to be from Kubrick’s “A Clockwork Orange” — which injects an interesting flavor into this street scene. There are other elements here that I find fascinating. I’ll leave most of them to viewers to discover, but that double vertical “dashed line” of windows is intriguing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Woman on Telephone

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Woman on Telephone
A woman sits against a Manhattan brick wall to talk on the telephone.

Woman on Telephone. © Copyright 2022 G Dan Mitchell.

A woman sits against a Manhattan brick wall to talk on the telephone.

Yesterday’s photograph came from the same trip that produced this photograph. Before we headed off for a family event in the green mountains of Vermont we spent four days in the concrete “mountains” and canyons of Manhattan. New York City is definitely not back to normal yet, but it feels far less oppressive than when we visited last winter during the height of one of the covid variants. Back then the streets were largely empty; now there are people out and about once again. We took advantage of this to wander the areas around the lower half of Central Park and some distance south of the park, where I made this photograph.

To some people it seems strange that a supposed “nature photographer” would want to spend time in a busy urban center like Manhattan, much less take a small camera into the street and make pictures of that life. But I like the contrast — the speed and immediacy of street photography, the necessity of making quick and intuitive decisions, and more. I grabbed two frames of this woman crouched against a brick wall and talking on the phone as we walked by, barely breaking stride to make the exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.