Tag Archives: wall

Double Bass, Backstage

May 24, 2014 G Dan Mitchell 1 Comment

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I “stalk” those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the “industrial” surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I’m fascinated by what an instrument is and what it isn’t. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can’t otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really “primitive” technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Curves, Desert Canyon

May 18, 2014 G Dan Mitchell Leave a comment

Small dry plants grow in a curving crack in a two-toned desert canyon, Death Valley National Park

Passing through this deep and narrow canyon, I always watch the rock walls for little odds and ends of shape and form and color and occasional surprising bits of vegetation. If you had asked me about this section of canyon after my first passage some years ago, I might well have mentioned how narrow and deep it is and perhaps how dusty. I might have commented on the way the bottom remains in shade even in the midday heat. But repeated visits have shown me that there is much more to see, and the fact that I still see new things on every visit tells me that there is far more yet to be discovered.

On one hand this is a pretty plain photograph of some rocks with cracks running through them. On the other hand, I think there are some stories behind the scent that are interesting to contemplate. At least I think so! If you look closely you will see some very dry plants that have grown in this curving crack. It is hard to imagine a more inhospitable place for a plant to grow—perhaps a dozen feet up the nearly solid rock wall of an arid and hot desert canyon. Yet somehow these plants found a way, as did and do many other plants throughout this desert landscape. Behind the small, delicate, and even intimate element of these plants is the backdrop of a small section of a massive rock wall that towers out of sight above the frame of the photograph. Here is a boundary between two sorts of rock—I’m not enough to a geologist to make technical observations, but I do note that the upper layer is darker and more solid while the lower is lighter and has more cracks in its surface. From the upper left a crack follows the junction of the two rock layers, but for some reason the crack leaves the junction and curves back upwards into the darker rock, and it is in this surprising bit of geological dissonance that the small plants took root.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Industrial Building, Mixed Lighting

May 4, 2014 G Dan Mitchell 2 Comments

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Green Shop Doors

May 3, 2014 G Dan Mitchell Leave a comment

Green doors to an immense industrial shop building, Mare Island Naval Ship Yard

I’m intrigued by doorways, especially doorways painted in interesting colors, or which suggest a size different from their reality, or which hint at something beyond the doors. These doors, both the obvious small door at the left, and the larger three section doors to its right that you’ll see if you look a bit more closely, are along the front of a gigantic shop building at Mare Island. Many years ago they were, no doubt, devoted to work related to the ship construction that went on here for many decades. That work ended decades ago, the facility was decommissioned, and much of it was left vacant for a long time.

More recently things have begun to move again on the island. While some areas still lie dormant and others have succumbed to weather and vandals, many others still stand and quite a few of them are now used by small operations. Looking through the windows on this night, portions of the interior were dimly lit and it appeared that a few workers were busy inside. Incongruously, it looked like at least one computer screen glowed on a desk near a window.

G Dan Mitchell Photography

Tag Archives: wall

Double Bass, Backstage

Curves, Desert Canyon

Industrial Building, Mixed Lighting

Green Shop Doors

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.