Tag Archives: wetlands

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Two White-Faced Ibises

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Two White-Faced Ibises
Two White-Faced Ibises

Two White-Faced Ibises. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Two white-faced ibises look at one another, San Joaquin Valley wetlands

When I spot the white-faced ibises down near or in the water, most of the time they do not seem to be interacting very much with one another. In fact, I most often find them feeding alone, or if others are around they are at a distance. (I have seen groups in flight, and I feel that I tend to see them group together a bit more later in the season.)

I was a little surprised to see this pair together. Over a period of a few minutes they danced around one another, adopting a series of mirrored poses, and here they momentarily stood and turned towards one another before resuming the dance and then soon flying away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

White-Faced Ibis

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White Faced-Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A white-faced ibis feeds in a San Joaquin Valley winter pond

A few years ago I knew almost nothing about the migratory birds of California’s Central Valley. The first time I photographed them I was simply amazed by their sheer number and the variety of shapes, behaviors, and calls — but I could barely tell one from another. Birds flew over and I photographed them, often not knowing what I was capturing with my camera.

Sometimes, when I looked at the photographs later, I would discover some interesting feature of the birds that I hadn’t paid attention to or couldn’t see at the time. I realized later than my first encounter with the ibis was such a photograph – I had photographed a line of birds overhead, their shapes silhouetted against the sky, and when I looked at the photograph closely I was surprised to find the characteristic long, curved beaks. I was fascinated by the shapes, but I had no idea what they were. Obviously, they were white-faced ibises, like the bird in this photograph. The ibis seems perfectly adapted to hunting in the shallow waters of these wetlands, with their long legs and long, curved beaks. If you look closely you may be able to tell that this one has just picked up something from the water in its beak. The feathers of the ibis are a marvel. At first the bird can look dull and almost black, but put it in the right light and the back feathers turn out to contain a huge variety of colors, from pinks to yellows to greens an browns and black.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Sandhill Cranes, Fog

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Sandhill Cranes, Fog
Sandhill Cranes, Fog

Sandhill Cranes, Fog. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies low above foggy San Joaquin Valley wetlands.

I often ponder the relationship between my landscape photography and bird photography. I’d have to admit that one reason for photographing the birds is that it provides a great reason to spend days out in this foggy winter landscape of California’s Great Central Valley, a landscape quite different from others that I photograph. This land is almost completely flat, and the fog cuts off even the distant view of the mountains to the west and east. In the fog there is no sky, and there is barely a horizon, and the everything seems quiet — despite all those birds! — and mysterious.

While I’m out there with my camera, trying to make photographs of birds, I’m also on the lookout for landscape scenes that somehow embody the feelings of being in this place in the winter. Every so often all of the pieces fall into place, often quickly and almost without warning, and a simple scene emerges, as this one did. I think my primary frame of reference was the horizon fading in the fog, the scattered clumps of obscured trees, and the glowing atmosphere — and it was almost pure luck that this group of cranes entered the scene at just this moment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Egret and Heron

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Egret and Heron
Egret and Heron

Egret and Heron. San Joaquin Valley, California. January 19, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A great egret and a blue heron in low-level flight

Recently I’ve been thinking about how to make my wildlife photography more efficient. Sometimes I return from a day of photographing birds and other fast-moving critters to find that I have many hundreds or even more than a thousand photographs to sort through. There is a limited supply of pixels in the world, and don’t want to be the one responsible of using them all up. Today it occurred to me that it is wasteful to photograph only a single species in each frame, so I’ve decided to double my efficiency as a photographer and strive to capture two in each shot.

Extracting tongue from cheek… on this trip to photograph San Joaquin Valley migratory birds and other subjects I encountered several of these odd pairings of a single egret and a single heron hanging out together. This was the first pair, and it was quite a surprise. We were creeping along a dirt levee road very slowly in our vehicle, keeping an eye out for interesting birds, and I half expected to see the egret. I had my camera sitting across my lap as I drove, and I probably would have stopped for a(nother) close who of an egret in flight. But right on the heels (tail feathers?) of the egret, a beautiful blue heron followed it across he road — and almost without thinking I quickly grabbed my camera and tracked the two of them as they flew to the left of the vehicle, managing to make a short string of exposures including the two of them together.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.