Tag Archives: wetlands

Wetlands, Winter Sky

Recently I was thinking about a particular sort of “moment of consciousness” that I’ve experienced a few times. It usually (though not that often!) comes when I’m in a natural place where more or less nothing is happening and my pace has slowed. It is hard to define precisely what these moments are or force them to happen, but when they do come they are palpable. There’s a sense of immense stillness and of time almost stopping. For me it has come on a few occasions in the desert or in the mountains, alone on a windless and silent day..

I think it could come in a place like this, too. At one point this week I paused and just sat quietly and considered what is happening most of the time in this wetlands location. The answer is: nothing obviously remarkable. A few birds move about slowly and almost silently (until the geese and cranes arrive!), the water is still, and the sky seems fixed and luminous. I’m not sure that a photograph can embody all of that, but perhaps it can be a reminder.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Geese, Morning Fog

This was not the photograph I planned to make when I stopped here. The area was blanketed with tule fog, and no birds were visible. So I got out my tripod and turned my attention to making landscape photographs. As I worked the fog began to thin, and the sky above became faintly visible though the shallow fog. I heard geese approaching, and as the first group passed I grabbed my camera off the tripod, quickly reset things for handheld photography, and framed this subject as the next large group passed overhead.

There is a lot of this “gear switching” when I photograph migratory birds. One moment I might be photographing an individual bird in flight — which requires some specific camera settings. A moment later my attention may turn to a tree or clouds or the sky, and that sort of landscape photography uses entirely different settings and sometimes different lenses… or even a different camera!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sandhill Cranes, Wetland Pond

Sandhill cranes were the main reason that I went to the Central Valley on this winter morning. My plan was to be there before dawn — and I was! — so that I could photograph them taking flight in luminous fog at sunrise. But the fog over-achieved, and was so thick at sunrise that the birds weren’t visible at all. At that point the fog itself become my dawn subject.

As the morning wore on the fog thinned, and eventually the cranes and other birds became visible. I found a large group in a shallow pond where they had spent the night. One of the challenges of photographing groups of these birds is that much of the time their heads are down as they groom themselves or reach for the water. So I watch and wait, hoping for that instant when a few —or all! — of them raise their heads at once.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Tule Fog and Reflection

After starting the morning in fog so thick that I could not see (or photograph), I stopped here along a levee road as the fog began to thin. I still couldn’t see much more than perhaps fifty yards along the ground, but the tule fog was shallow enough that light penetrated it and I could see the sky. As the sun rose above the Sierra it broke free of clouds and its light reflected on the surface of this pond.

Color in foggy conditions is a tricky thing. Looking into the foggy void, everything seems essentially gray. But the atmosphere picks up all sorts of colorations — the warm tones of sunrise light, the blue of the sky, and sometimes combinations of these things. Here the light took on a slightly pink quality that didn’t completely wash out the blue from the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.