Tag Archives: white

Fall Color, Bare Aspens

Fall Color, Bare Aspens
Nearly bare aspen trees in the center of a scene of Eastern Sierra autumn color.

Fall Color, Bare Aspens. © Copyright 2022 G Dan Mitchell.

Nearly bare aspen trees in the center of a scene of Eastern Sierra autumn color.

This photograph, made when this grove had passed its prime, gets us closer to the end of this year’s autumn transition in the Sierra, when some trees here are almost bare. While writing about this photograph I pondered my favorite time of aspen season. Is it the first explosion of color early each fall? Is it the peak time when the greatest number of leaves are fully transitioned? Or is it this time, when some colorful leaves remain but it is more and more obvious that winter is almost here? Honestly, it is hard to pick one over the other, but I do love how the trunks and branches are gradually revealed as the leaves fall..

While this photograph focuses on trees near the end of the color transition, nearby and just out of the frame were many trees still in peak, golden color. This year it seemed that brilliant colors hung on just a bit longer, and I have some theories about why this happened. The ongoing warm-up of the California (and global) climate is one factor. Another specific to this year (thought not unique to it) is that the absence of significant early season storms or wind allowed leaves that might otherwise have been blown down to remain on the trees a bit longer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Morning, White Mountains

Autumn Morning, White Mountains
Colorful autumn forest in morning light, White Mountains, New Hampshire.

Autumn Morning, White Mountains. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

I made this photograph on what I came to regard as the actual day of peak color in this part of the White Mountains. Here and nearby, the colors were noticeably more intense and widespread than the previous day, and one day later when some weather came through trees were dropping leaves and more bare branches were appearing. This photograph exemplifies an approach that I often like — using a longer focal length lens to isolate a small section of the overall landscape. Here I wanted to focus on the juxtaposition of the foreground trees and hill with the more distant pattern of the ascending gully.

Another aspect of this photograph is, I came to learn, typical of a lot of White Mountains autumn photography. It is often a challenge to get unobstructed access to longer and wider views of the landscape, partially because the forest are so dense and close-in, and partially because roads here tend to be designed without shoulders and with few places to pull over. Consequently, any place that does have a wider view seems precious. Here there was a small turn-out along the road, and if I put my camera in just the right spot I could manage to photograph between and over the nearer brush and trees… and obtain one of those long views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tall Aspen Grove, Autumn

Tall Aspen Grove, Autumn
A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

Tall Aspen Grove, Autumn. © Copyright 2022 G Dan Mitchell.

A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

This photograph is yet another example of the variety of colors during the Sierra Nevada autumn aspen transition. There’s still a bit of green, a lot of brilliant yellow, and highlights of red and orange here and there. Earlier in the season the predominant colors tend to be the yellows set against the greens. But by the second half of the month much (though not quite all) of the green is gone, and the more characteristic autumn colors clearly dominate.

This photograph is also another example of the value of long lenses for landscape photography. I use everything from 16mm to 400mm and sometimes longer for landscape. The long lenses let me photograph subject that are simply not accessible. They allow me to work at a distance from an elevated perspective that isn’t available closer to the subject. They are useful for narrowing down the scope of a composition and eliminating distractions. All of those were in play when I made this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tall Autumn Aspen Trees

Tall Autumn Aspen Trees
Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

Tall Autumn Aspen Trees. © Copyright 2022 G Dan Mitchell.

Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

The large grove of which these trees are a part is one that I’ve photographed for a long time. For the Sierra, it is a very large expanse of aspens, and they rise from a valley up the lower slopes of rock-strewn mountains. Most of then I have photographed them earlier in the season where the more colorful trees are mixed in with trees that are still green. But this time I visited later in October, and virtually the entire hillside was yellow, gold, and red. Note also the tall and straight aspen trunks — many Sierra aspens are much shorter.

I photographed these trees, as I often do, in soft, shaded light. The sun had not risen above the ridge behind them, so there were still fully in shadow — though the sunny edge of that shadow was rapidly approaching as I worked! Photographing aspens in these conditions reveals the difference between our own visual perception and what the camera “sees.” Looking at the scene you would say you saw colorful aspen leaves and white or gray trunks. But a photograph made in these conditions renders the trunks intensely blue. So the photographer faces a quandary for which there are several possible answers. One is to “go with the blue,” with the risk that viewers will be struck by what seems like unnaturally intense blue tones. Another is to shift the yellow/blue balance in post to produce something that better approximates the experience of looking directly at the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.