Tag Archives: white

Shadow on Door 4

Shadow on Door 4
Shadow on Door 4

Shadow on Door 4. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A night scene from the historic Mare Island Naval Ship Yard

This is another night photograph from the historic Mare Island Naval Shipyard near Vallejo, California. It is hard to explain what attracted me to this specific subject, though the photograph is one of a small series I shot of this wall and the white building. (A “series” of night photographs often comprises a small number of photographs, since it often takes many minutes to complete a single exposure.)

I began by photographing from a position far to the right, where there was a large puddle of reflecting water between my position and the two buildings, and then I worked my way around the scene to finally shoot it straight on. In addition to the water, I was intrigued by the color contrast between the salmon colored wall and the stark white shack in front of it. (Though, to be honest, in the near darkness I had to make some assumptions about what the colors might actually be!) This photograph contains a number of elements that are common at Mare Island, especially at night. The architecture itself is typical—mostly quite utilitarian, with many very large buildings that were constructed for ship-building industry. There are often exposed pipes and wires and other elements. It is common to see weathered paint and rust. Windows are everywhere, often comprising surprisingly extensive portions of the exterior walls. I’ve never asked anyone, but my assumption is that it was less expensive to “light” the interior naturally than to use artificial light to illuminate such large spaces. The photo also illustrates a much more modern feature. Not long ago, when I first photographed here, the lights were often quite colorful, including sodium vapor, tungsten, fluorescent, mercury, and more. This often produces wildly colorful images at night. But today, for energy efficiency reasons, neutral colored LED lighting is being installed everywhere, and the color balance is more like that of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Horsetail Fall in afternoon light, Yosemite Valley

As you may already know, Yosemite Valley’s Horsetail Fall draws visitors and especially photographers ever winter, roughly during the last half of February or so. During this period a miraculous conjunction of sunset light, a gap in the ridges to the west, and a wispy waterfall dropping over the edge of El Capitan may produce a momentary “natural firewall” for those positioned to the east of the waterfall. The sight is quite something… but in some ways it is almost more amazing to encounter hundreds of people who have traveled great distances to stand in cold or even snowy meadows to gaze upwards in hopes of seeing this ephemeral light.

I have photographed it in the past so I generally do not photograph it any more. In fact, I like to joke that one of the nice things about Horsetail Fall is that it clears the rest of the Valley of photographers in the evening! ;-) I must have confused at least a few people when I was there on the first day of March, at a time when people are still hoping to catch the phenomenon. We pulled into one of the two popular areas for viewing the fall, but in the late afternoon, well before the light was even hinting at what it could do later on. I looked up at the cliff high above and saw that recent rains had brought the fall to life, and that winds across the upper face of El Capitan were blowing the fall too and fro and carrying its wispy spray in all directions. The rock face was uniformly damp, and the late afternoon light was bright and silvery on the rock. I put a long lens on the camera and pointed it up toward this bright subject and made a few exposures as the wind whipped the falling water back and forth. Then I packed up and left… just as the evening throng of photographers was arriving and finding their positions to photograph what they hoped would be colorful sunset light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

White-Faced Ibis feeding in San Joaquin Valley wetlands

As I have pointed out in the past, I’m no bird expert – but I do like to photograph them! For some reason the white-faced ibis has intrigued me for some time. The first time I photographed them it was an accident. I was photographing birds flying overhead on one winter morning when the sky was filled with birds – so many that I mostly just photographed without paying too much attention to the specifics of what I was seeing. Sometime later when I got home and looked at the files I saw that one large group of birds flying in a long row, silhouetted against the brighter sky, had the interesting curved bills that characterize the ibises.

More recently I have learned to look for them, and in some of the places I photograph I now know where to find them, down to the acre in a few cases. In mid-February I went to one of these locations and ended up at a spot where I have seen many of them in the past, often feeding in groups. But this time I saw exactly two. One was behind some reeds and did not make a good photographic subject, but this one was feeding alongside a gravel road right at the edge of the water. I stopped my car – which often serves as an effective blind – and opened a window and waited (somewhat) patiently as the bird worked its way along in the shallow water. The trick is to think of this almost as a portrait – I watch for the bird to turn into the best light, to stand in an interesting position, to face the camera, and to be in a spot that avoids distracting or interfering objects. The egret tends to spend a lot of its time with its beak deep in the water as it looks for food – not a very attractive photographic pose! But it periodically lifts the beak and every so often it briefly stands up straight as seen here. The plumage of this bird is very interesting. It can look just plain dull and almost black in some light. But if it turns its body toward the sun, the feathers become iridescent and have tints of green and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beach and Rocks, Pacific Ocean

Beach and Rocks, Pacific Ocean
Beach and Rocks, Pacific Ocean

Beach and Rocks, Pacific Ocean. Near Port Oxford, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The incoming swell stretches toward that distant horizon beyond a few rocks on an Oregon beach

As we drove south along the Oregon coast in August we passed through Port Oxford. Just below this town the highway briefly curved landward before heading south again, traveling along the edge of a long and wide beach featuring impressive sea stacks and long strings of waves coming in off of the Pacific. I found a spot with a few dark, back-lit rocks to break up the uniformity of the horizontal lines of beach, surf, horizon, and sky, and shot straight toward the sun and its brilliant reflections on the surface of the ocean.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.